This collection seeks to understand why it is important not just to continue to tell queer stories on stage, but also to piece together the larger historical narrative of Canadian queer theatrical production and reception through academic research. Contributors include Kym Bird, Sky Gilbert, Moynan King, Evalyn Parry, Richie Wilcox, Jay Whitehead, Tony Berto, Eury Chang, Cameron Crookston, Spy Denomme-Welch, Dirk Gindt, Stephen Low, Sean Metzger, Cordula Quint, Trish Salah, Sarah Garton Stanley, and Laine Zisman Newman. Through their essays, artist reflections, and curatorial statements, they generate theory and new ways of understanding how queer theatre and performance have contributed more broadly to the political and social development of LGBT2Q communities in Canada.