Queering the Medieval Mediterranean: Transcultural Sea of Sex, Gender, Identity, and Culture: The Medieval Mediterranean, cartea 121
Felipe Rojas, Peter E. Thompsonen Limba Engleză Hardback – 28 iul 2021
This collection questions the hypothesis that distinct cultures treated sexuality and the “other” differently. The volume initiates the conversation around queerness and sexuality on these trade routes, and problematizes the differences between various Mediterranean cultures in order to argue that through both queerness and sexuality, neighboring civilizations had access to, and knowledge of, common shared experiences.
Contributors are Sahar Amer, Israel Burshatin, Robert L.A. Clark, Denise K. Filos, Ellen Lorraine Friedrich, Edmund Hayes, Gregory S. Hutcheson, Vicente Lledó-Guillem, Leyla Rouhi, and Robert S. Sturges.
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Specificații
ISBN-13: 9789004315150
ISBN-10: 9004315152
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria The Medieval Mediterranean
ISBN-10: 9004315152
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria The Medieval Mediterranean
Cuprins
Notes on Contributors
Introduction The Transcultural Medieval Mediterranean
Felipe E. Rojas and Peter E. Thompson
part 1
Conquests
1 Anomalous al-Andalus Time, Space, Desire
Denise K. Filios
2 The Masculine Body in the Mediterranean Queering the Other in El Monserrate and Tirant lo Blanc
Vicente Lledó-Guillem
part 2
Femininities
3 Bad Girls and Gender Trouble in the Thirteenth-Century Mediterranean
Sahar Amer
4 Going Between Bodies, Minds, and Spaces The Alcahueta as the Queer Third Party
Leyla Rouhi
part 3
Literatures
5 Perversion and Subversion Mother Guidance and Illicit Sexuality in Ibn Dāniyāl’s Shadow Play
Edmund Hayes
6 Queer Names and Experiences in Old French and Romance Literatures
Ellen Lorraine Friedrich
part 4
Captives
7 Beaucaire, “Cartage,” Torelore The Imaginary Mediterranean’s Queer Carnival in Aucassin et Nicolette
Robert S. Sturges
8 “Amor de voluntad”/“Love freely given” Homonormativity in Alfonso X, el Sabio’s Legislation on Captives
Israel Burshatin
part 5
Encounters
9 Spain’s Pecado Sodomítico and Its Mediterranean Intertextualities
Gregory S. Hutcheson
10 At the Crossroads of Intercultural Desire in the Levant Cultural Notes from the Bathhouse
Robert L.A. Clark
Index
Introduction The Transcultural Medieval Mediterranean
Felipe E. Rojas and Peter E. Thompson
part 1
Conquests
1 Anomalous al-Andalus Time, Space, Desire
Denise K. Filios
2 The Masculine Body in the Mediterranean Queering the Other in El Monserrate and Tirant lo Blanc
Vicente Lledó-Guillem
part 2
Femininities
3 Bad Girls and Gender Trouble in the Thirteenth-Century Mediterranean
Sahar Amer
4 Going Between Bodies, Minds, and Spaces The Alcahueta as the Queer Third Party
Leyla Rouhi
part 3
Literatures
5 Perversion and Subversion Mother Guidance and Illicit Sexuality in Ibn Dāniyāl’s Shadow Play
Edmund Hayes
6 Queer Names and Experiences in Old French and Romance Literatures
Ellen Lorraine Friedrich
part 4
Captives
7 Beaucaire, “Cartage,” Torelore The Imaginary Mediterranean’s Queer Carnival in Aucassin et Nicolette
Robert S. Sturges
8 “Amor de voluntad”/“Love freely given” Homonormativity in Alfonso X, el Sabio’s Legislation on Captives
Israel Burshatin
part 5
Encounters
9 Spain’s Pecado Sodomítico and Its Mediterranean Intertextualities
Gregory S. Hutcheson
10 At the Crossroads of Intercultural Desire in the Levant Cultural Notes from the Bathhouse
Robert L.A. Clark
Index
Notă biografică
Felipe E. Rojas, Ph.D. (2014), University of Chicago, is an Assistant Professor of Spanish at West Liberty University. His interest include Medieval and Golden Age Spanish literature, queer and gay studies, and mythology (specifically the figure of Ganymede).
Peter E. Thompson, Ph.D. (1999), Penn State University, is an Associate Professor at Queen’s University. He has written extensively on Juan Rana, the alias of Cosme Pérez, a popular actor between the years 1617 and 1672 (Spanish Golden Age).
Peter E. Thompson, Ph.D. (1999), Penn State University, is an Associate Professor at Queen’s University. He has written extensively on Juan Rana, the alias of Cosme Pérez, a popular actor between the years 1617 and 1672 (Spanish Golden Age).