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Re: Direction: A Theoretical and Practical Guide: Worlds of Performance

Editat de Gabrielle Cody, Rebecca Schneider
en Limba Engleză Paperback – 25 oct 2001
Re: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world.
Helpfully organized into four key areas of the subject, the book explores:
* theories of directing
* the boundaries of the director's role
* the limits of categorization
* the history of the theatre and performance art.
Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
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Specificații

ISBN-13: 9780415213912
ISBN-10: 0415213916
Pagini: 392
Dimensiuni: 174 x 246 x 18 mm
Greutate: 0.9 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Worlds of Performance

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate, Professional, and Undergraduate

Recenzii

'Compact, readable and exceptionally good value for money, this collection of writings on the role of the theatre director is set to become a classic text for practitioners and students of directing alike.' - Manchester on Stage
'A wonderfully complex, dense nexus of intersecting and parting, connecting and diverging ideas about theatermaking ... Re:Direction has the sulatary effect of shaking up habitual ways of seeing the profession of directing.' - Theater

'Compact, readable and exceptionally good value for money, this collection of writings on the role of the theatre director is set to become a classic text for practitioners and students of directing alike.' - Manchester on Stage

Cuprins

GENERAL INTRODUCTION, Rebecca Schneider, Gabrielle Cody; Part 1 DIRECTORS OF CLASSICAL REVOLT; Chapter 1 INTRODUCTION TO Part I, Rebecca Schneider; Chapter 2 THE REIGN OF THE THEATRICAL DIRECTOR, Bettina L. Knapp; Chapter 3 STANISLAVSKY, Sharon Marie Carnicke; Chapter 4 THREE SISTERS AT THE MAT, M. N. Stroyeva; Chapter 5 MY RUSSIAN NOTEBOOK, 1934, Lee Strasberg; Chapter 6 AN INTERVIEW WITH OKHLOPKOV, Lee Strasberg, Sidney Kingsley; Chapter 7 Meyerhold's production of The Magnanimous Cuckold, Nick Worrall; Chapter 8 REALITY IS NOT ENOUGH, Richard Schechner; Chapter 9 BRECHT AS DIRECTOR, Carl Weber; Chapter 10 THE REVOLUTIONARY MOMENT, Lee Baxandall; Chapter 11 PARADISE NOW!, The Living Theatre; Chapter 12 FROM ART IN EVERYDAY LIFE, Linda Montano; Chapter 13 INVISIBLE THEATRE, Augusto Boal; Part 2 AUTEUR THEATRE; Chapter 14 INTRODUCTION TO Part II, Gabrielle Cody; Chapter 15 ARTAUD'S LES CENCI, An account by Roger Blin, Artaud's letters, and critical reviews; Chapter 16 TADEUSZ KANTOR'S JOURNEY, Jan Klossowicz; Chapter 17 THEATRE AND THERAPY: ROBERT WILSON, Bill Simmer; Chapter 18 VESSEL, Brooks McNamara; Chapter 19 FOREMAN'S PAIN(T) AND VERTICAL MOBILITY, Kate Davy; Chapter 20 PEARLS FOR PIGS, Richard Foreman; Chapter 21 AIDS AND AVANT-GARDE CLASSICISM, John Bell; Chapter 22 WOMAN, MAN, DOG, TREE, Gabrielle Cody; Chapter 23 HAIKU IN THE FLESH, Meiling Cheng; Part 3 THEATRES OF COMMUNITY AND TRANSCULTURATION; Chapter 24 INTRODUCTION TO Part III, Gabrielle Cody; Chapter 25 COLLECTIVE CREATION, Theodore Shank; Chapter 26 AN INTERVIEW WITH GROTOWSKI, Richard Schechner, Theodore Hoffman, Jacques Chwat, Mary Tierney; Chapter 27 TALKING WITH PETER BROOK, Richard Schechner, Jean-Claude Carrière, Joel Jouanneau, Georges Banu; Chapter 28 BUILDING UP THE MUSCLE, Josette Féral; Chapter 29 THE OTHER HISTORY OF INTERCULTURAL PERFORMANCE, Coco Fusco; Chapter 30 NOMADMEDIA, Rebecca Schneider; Part 4 MONTAGE, REITERATION, REVISION; Chapter 31 INTRODUCTION TO Part IV, Rebecca Schneider; Chapter 32 EISENSTEIN'S WISEMAN, Daniel Gerould; Chapter 33 MONTAGE OF ATTRACTIONS, Sergei Eisenstein; Chapter 34 CHARLES LUDLAM'S RIDICULOUS THEATRICAL COMPANY, Ron Argelander; Chapter 35 RIDICULOUS THEATRE, Charles Ludlam; Chapter 36 FAMILY OF THE F.P., Stefan Brecht; Chapter 37 IS THERE A TEXT ON THIS STAGE?, Gerald Rabkin; Chapter 38 ISLAND HOPPING, Euridice Arratia; Chapter 39 HAMLET AT WORLD'S END, Maik Hamburger; Chapter 40 SUZAN-LORI PARKS AND LIZ DIAMOND, Steven Drukman; Chapter 41 THREE SISTERS AT MILLENNIUM'S END, Rebecca Schneider;

Notă biografică

Gabrielle Cody, Rebecca Schneider

Descriere

An extraordinary resource for practitioners and students of directing providing a collection of ground-breaking interviews, primary sources and essays on twentieth century directing theories and practices around the world.