Readers: Vintage People on Photo Postcards: Photo Postcards from the Tom Phillips Archive
Autor Tom Phillipsen Limba Engleză Hardback – 30 noi 2010
Readers, as its title suggests, shows people reading (or pretending to read) a wide variety of material, from the Bible to Film Fun, either in the photographer’s studio, in their own home, or on vacation on the beach. Each of these unique and visually stunning books give a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike.
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Specificații
ISBN-13: 9781851243594
ISBN-10: 1851243593
Pagini: 112
Ilustrații: 200 color plates
Dimensiuni: 178 x 191 x 15 mm
Greutate: 0.45 kg
Editura: Bodleian Library, University of Oxford
Colecția Bodleian Library, University of Oxford
Seria Photo Postcards from the Tom Phillips Archive
ISBN-10: 1851243593
Pagini: 112
Ilustrații: 200 color plates
Dimensiuni: 178 x 191 x 15 mm
Greutate: 0.45 kg
Editura: Bodleian Library, University of Oxford
Colecția Bodleian Library, University of Oxford
Seria Photo Postcards from the Tom Phillips Archive
Notă biografică
Tom Phillips is an internationally estabalished British artist. He was born in London, where he continues to work. He is a painter, collagist, writer, and composer.
Cuprins
Foreword
David Lodge
Introduction
Tom Phillips
Postcards
General Comments and Notes
David Lodge
Introduction
Tom Phillips
Postcards
General Comments and Notes
Recenzii
“Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images.”
“These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives.”
“The collection starts in 1902, when the post office allowed personal messages as well as addresses on the backs of postcards. In addition, the proliferation of photographic studios and the mass production of the Box Brownie meant that, for the for the first time, ‘ordinary’ people could afford to own their portraits, and to have them replicated as postcards for only a penny a card.”