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Reading Billy Budd

Autor Hershel Parker
en Limba Engleză Paperback – mar 1991
In this study of Melville's Billy Budd, Sailor, renowned Melville scholar Hershel Parker provides the fullest introduction to and analysis of this work to date. It is the first complete reading of Billy Budd to draw on the definitive but neglected Hayford-Sealts Genetic Text. For the first time, it places Billy Budd in the context of Melville's writings and projects of the last decade of his life; and it is the first to present the work as a product of the post-Gilded Age and fin-de-siecle period rather than of the mid-century high romanticism of Moby-Dick.
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Specificații

ISBN-13: 9780810109629
ISBN-10: 081010962X
Pagini: 190
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.29 kg
Ediția:1
Editura: Northwestern University Press
Colecția Northwestern University Press

Notă biografică

HERSHEL PARKER is H. Fletcher Brown Professor of American Romanticism at the University of Delaware and Associate General Editor of the Northwestern-Newberry Edition of The Writings of Herman Melville. He is editor of several collections on Melville, including collaborations with Harrison Hayford on the Norton Critical Edition of Moby-Dick and Norton "Moby-Dick" as Dubloon and with Brian Higgins on the G. K. Hall Critical Essays on Hermann Melville's "Pierre" and Critical Essays on Herman Melville's "Moby-Dick," and is also editor of the 1820-65 section in the Norton Anthology of American Literature. His Flawed Texts and Verbal Icons: Literary Authority in American Fiction was published in 1984 by Northwestern University Press.

Descriere

In this study of Melville's Billy Budd, Sailor, renowned Melville scholar Hershel Parker provides the fullest introduction to and analysis of this work to date. It is the first complete reading of Billy Budd to draw on the definitive but neglected Hayford-Sealts Genetic Text. For the first time, it places Billy Budd in the context of Melville's writings and projects of the last decade of his life; and it is the first to present the work as a product of the post-Gilded Age and fin-de-siecle period rather than of the mid-century high romanticism of Moby-Dick.