Reading the Figural, or, Philosophy after the New Media
Autor D Rodowicken Limba Engleză Paperback – 10 sep 2001
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Specificații
ISBN-13: 9780822327226
ISBN-10: 0822327228
Pagini: 296
Ilustrații: 55 illustrations
Dimensiuni: 146 x 235 x 15 mm
Greutate: 0.46 kg
Editura: MD – Duke University Press
Locul publicării:United States
ISBN-10: 0822327228
Pagini: 296
Ilustrații: 55 illustrations
Dimensiuni: 146 x 235 x 15 mm
Greutate: 0.46 kg
Editura: MD – Duke University Press
Locul publicării:United States
Recenzii
"A stunning accomplishment in the theorisation of the visual. By situating developments in photography, film, and digital media on multiple hinges between philosophy and history, France and Germany, and visual theory and practices, Rodowick delivers a breathtaking overview of modernist aesthetics and an exciting excursion into transformations on the digital frontier." - Timothy Murray, author of Like a Film: Ideological Fantasy of Screen, Camera, and Canvas "Rodowick shows us that the labour of theory is vital and ongoing and that figural thinking is a crucial element for what remains of creative activity and micro-politics in a world where agency appears to be close to extinction." - Tom Conley, author of The Graphic Unconscious in Early Modern French Writing
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"Rodowick shows us that the labor of theory is vital and ongoing and that figural thinking is a crucial element for what remains of creative activity and micropolitics in a world where agency appears to be close to extinction."--Tom Conley, author of "The Graphic Unconscious in Early Modern French Writing"
Cuprins
Preface
Acknowledgments
One. Presenting the Figural
The Idea of the Figural
Lyotard’s Leap into the Void: The Aesthetic before the New Media
Paradoxes of the Visual, or Philosophy after the New Media
Two. Reading the Figural
Rehearsing the Figural
Foucault through Deleuze, or The Diagrammatics of Power
Reading the Figural
The End of Modernism
Three. The Figure and the Text
Film and the Scene of Writing
“With dreams displaced into a forest of script”
Hieroglyphics, Montage, Enunciation
Acknowledgments
One. Presenting the Figural
The Idea of the Figural
Lyotard’s Leap into the Void: The Aesthetic before the New Media
Paradoxes of the Visual, or Philosophy after the New Media
Two. Reading the Figural
Rehearsing the Figural
Foucault through Deleuze, or The Diagrammatics of Power
Reading the Figural
The End of Modernism
Three. The Figure and the Text
Film and the Scene of Writing
“With dreams displaced into a forest of script”
Hieroglyphics, Montage, Enunciation