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Realism and Its Vicissitudes

Editat de Robert Harvey, Patrice Nganang
en Limba Engleză Hardback – 30 mar 2015
This collection honors the career of Donald 'Sandy' Petrey, Professor of Comparative Literature at the State University of New York at Stony Brook for over forty years. The diversity of essays - written by colleagues, friends, and former students, and ranging in subject from the traditional Festschrift theme of the honoree's compelling contributions to the study of realism and the novel's role in history, to chapters on Susan Sontag's experimental films, the thought of the late Marxist philosopher André Gorz, silence in the graphic novel, and linguistic disparities between American and Standard Italian - attests to the plasticity of Sandy Petrey's mind and the ample indications of his work. Best-known (and well-loved) for his often gruff, no-nonsense style in teaching and prose, Petrey is celebrated by those whose careers and ideas he has helped to nurture, inform, and embolden. This collection is a fine text for courses in nineteenth-century as well as contemporary French studies and literature.
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Specificații

ISBN-13: 9781433130168
ISBN-10: 1433130165
Pagini: 144
Dimensiuni: 150 x 221 x 15 mm
Greutate: 0.34 kg
Editura: Peter Lang Gmbh, Internationaler Verlag Der W

Notă biografică

Robert Harvey is Distinguished Professor at the State University of New York at Stony Brook where he chairs the Department of Cultural Analysis and Theory. He has written extensively on Jean-François Lyotard, Jean-Paul Sartre, Marguerite Duras, Marcel Duchamp, and Michel Deguy and has translated Lyotard, Deguy, Jacques Derrida, Michel Foucault, and Paul Ricœur. His most recent books are &ltI>Witnessness: Beckett, Levi, Dante and the Foundations of Ethics, Les Écrits de Marguerite Duras</I>, and &ltI>De l’exception à la règle</I>. Harvey is a major co-editor of the prestigious Pléiade edition of the complete works of Marguerite Duras. He served as Program Director at the Collège International de Philosophie in Paris (2001-2007).&ltBR> Patrice Nganang, writer and scholar, is Associate Professor of Literary and Cultural Theory at the State University of New York at Stony Brook. Nganang has published collections of poetry: &ltI>elobi</I> and &ltI>L’apologie du vandale</I>; novels: &ltI>La Saison des prunes, Temps de chien</I>, and &ltI>La Joie de vivre</I>, which constitute a cycle depicting city life, &ltI>Mont plaisant</I> and &ltI>La Saison des prunes</I>, a cycle about wars from a Cameroonian point of view; and short novellas: &ltI>L’Invention du beau regard</I> and &ltI>La Chanson du joggeur.</I> His publications also include three collections of essays: &ltI>La Principe dissident, Manifeste d’une nouvelle littérature africaine: Pour une écriture preemptive</I> and &ltI>Contre Biya: Procès d’un tyran.</I> In addition, his columns appear regularly in Cameroonian and international newspapers such as &ltI>Jeune Afrique</I> and &ltI>Le Monde.</I> His novel &ltI>Mont plaisant</I> is scheduled to appear in English.

Cuprins

Contents: John Krapp: The Present King of France is Bald - David Anshen: Sandy Petrey's Unacknowledged Contribution to Historical Materialism - Thoma J. J. Altizer: Revolution and God - Kathryn M. Grossman: Victor Hugo as Realist in Notre-Dame de Paris - Armine Kotin Mortimer: Legality, Narrative Order, and Vagabondage in Balzac's Ferragus - Dick Howard: André Gorz and the Philosophical Foundation of the Political - E. Ann Kaplan: Sontag Between America and Europe - Herman Lebovics: Ministering to the Culture - Claire Burrows: Desperate Artist - Lori Repetti: A Note on English Loan Words in American Italian and Standard Italian.