Reappraising Cult Horror Films: From Carnival of Souls to Last Night in Soho
Editat de Dr Lee Broughtonen Limba Engleză Hardback – 12 iun 2024
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Specificații
ISBN-13: 9781501387586
ISBN-10: 1501387588
Pagini: 256
Ilustrații: 13 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.55 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501387588
Pagini: 256
Ilustrații: 13 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.55 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Employs a variety of critical-but-accessible theories and approaches in order to offer new insights into cult horror films that have - to differing degrees - been somewhat overlooked by previous books on horror movies
Notă biografică
Lee Broughtonis a Lecturer in Film and Media in the School of Media and Communication at the University of Leeds, UK. He also teaches on the Arts and Humanities programme that is offered by the University's Lifelong Learning Centre. Lee is the author of The Euro-Western: Reframing Gender, Race and the 'Other' in Film (Bloomsbury, 2016) and the editor of Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained (2016) and Reframing Cult Westerns: From The Magnificent Seven to The Hateful Eight (Bloomsbury, 2020).
Cuprins
List of Figures AcknowledgementsIntroduction: Cult Horror Films and Cult Movies Lee Broughton (University of Leeds, UK) Part I: Lone Features 1. Carnival of Souls as Seen by its Creators Bill Shaffer (Producer/Director, USA) 2. A 'Totally Emancipated Female': Julie Ege, Britain's Crises of Masculinity and Roy Ward Baker's The Legend of the 7 Golden Vampires Lee Broughton (University of Leeds, UK)3. Wandering the Labyrinth of Space-time and Eternity in Stanley Kubrick's The ShiningKamil Koscielski (Independent Scholar, Poland)4. The Candy-Coloured Uncanny: Childish Pleasures in Killer Klowns from Outer SpaceCynthia J. Miller (Emerson College, USA) and Tom Shaker (Independent Scholar, USA)5. Death is the Price: Racial Segregation, Urban Gentrification and the Horrors of Candyman Phevos Kallitsis (University of Portsmouth, UK) 6. Decide for Yourself: Cult, Controversy and Anti-Capitalism in The Hunt Craig Ian Mann (Sheffield Hallam University, UK) Part II: Cult Horror Directors 7. 'We Are Going to Do Something Nasty': The Cult Films of Harry Ku¨mel Mark Goodall (University of Bradford, UK)8. (Re)positioning Ken Russell as a Cult Horror Auteur Matthew Melia (Kingston University, UK) Part III: Cycles and Clusters9. Deliverance Derivations: Counter Constructions of White Trash in 1970s Horror Xavier Mendik (Birmingham City University, UK)10. Hybrid Horror from Australia Pete Falconer (University of Bristol, UK)11. 'I Can't Believe So Many Horror Fans Aren't Watching Inside': The Cult Status of 21st-century French Horror Cinema Alice Haylett Bryan (Queen Mary University of London, UK)12. Vertical Violence: Horror Cinema's Terrible Towers Kev Bickerdike (Sheffield Hallam University, UK)13. The Investigative Outsider and the Use of Nemein as a Narrative State Change Driver in Cult Horror Cinema James Shelton (Independent Scholar, UK)About the Editor and Contributors Index