Rebel Angels
Autor Libba Brayen Limba Engleză Paperback – 30 noi 2006 – vârsta de la 12 ani
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Pennsylvania Young Reader's Choice Award (2007), New Atlantic Independent Booksellers Association Award (2006), Iowa High School Book Award (2008)
The lure is strong, and soon Gemma, Felicity, and Ann are turning flowers into butterflies in the enchanted world that Gemma takes them to. To the girls' great joy, their beloved Pippa is there as well, eager to complete their circle of friendship.
But all is not well in the realms—or out. Kartik is back, desperately insisting to Gemma that she must bind the magic, lest colossal disaster befall her. Gemma is willing to comply, for this would bring her face-to-face with her late mother's greatest friend, now Gemma's foe—Circe. Until Circe is destroyed, Gemma cannot live out her destiny. But finding Circe proves a most perilous task. . . .
This sumptuous companion to A Great and Terrible Beauty teems with Victorian thrills and chills that play out against the rich backdrop of 1895 London, a place of shadows and light . . . where inside great beauty can lie a rebel angel.
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Specificații
ISBN-13: 9780385733410
ISBN-10: 0385733410
Pagini: 548
Dimensiuni: 133 x 204 x 32 mm
Greutate: 0.45 kg
Ediția:Trade Paperback.
Editura: Delacorte Press Books for Young Readers
ISBN-10: 0385733410
Pagini: 548
Dimensiuni: 133 x 204 x 32 mm
Greutate: 0.45 kg
Ediția:Trade Paperback.
Editura: Delacorte Press Books for Young Readers
Extras
December 1895
Spence Academy for Young Ladies
Ah, Christmas!
The very mention of the holiday conjures such precious, sentimental memories for most: a tall evergreen tree hung with tinsel and glass; gaily wrapped presents strewn about; a roaring fire and glasses filled with cheer; carolers grouped round the door, their jaunty hats catching the snow as it falls; a nice fat goose resting upon a platter, surrounded by apples. And of course, fig pudding for dessert.
Right. Jolly good. I should like to see that very much.
These images of Christmas cheer are miles away from where I sit now, at the Spence Academy for Young Ladies, forced to construct a drummer boy ornament using only tinfoil, cotton, and a small bit of string, as if performing some diabolical experiment in cadaver regeneration. Mary Shelley's monster could not be half so frightening as this ridiculous thing. The figure will not remind a soul of Christmas happiness. More likely, it will reduce children to tears.
"This is impossible," I grumble. I elicit no pity from any quarter. Even Felicity and Ann, my two dearest friends, which is to say my only friends here, will not come to my aid. Ann is determined to turn wet sugar and small bits of kindling into an exact replica of the Christ child in a manger. She seems to take no notice of anything beyond her own two hands. For her part, Felicity turns her cool gray eyes to me as if to say, Suffer. I am.
No, instead, it is the beastly Cecily Temple who answers me. Dear, dear Cecily, or as I affectionately refer to her in the privacy of my mind, She Who Inflicts Misery Simply by Breathing.
"I cannot fathom what is giving you such trouble, Miss Doyle. Really, it is the simplest thing in the world. Look, I've done four already." She holds out her four perfect tinfoil boys for inspection. There is a round of oohing and aahing over their beautifully shaped arms, the tiny woolen scarves--knit by Cecily's capable hands, but of course--and those delicate licorice smiles that make them seem overjoyed to be hanging by the neck from a Christmas tree.
Two weeks until Christmas and my mood blackens by the hour. The tinfoil boy seems to be begging me to shoot him. Compelled by a force larger than myself, I cannot seem to keep from placing the crippled ornament boy on the side table and performing a little show. I move the ugly thing, forcing him to drag his useless leg like Mr. Dickens's treacly Tiny Tim.
"God bless us, every one," I warble in a pathetic, high-pitched voice.
This is greeted by horrified silence. Every eye is averted. Even Felicity, who is not known as the soul of decorum, seems cowed. Behind me, there is the familiar sound of a throat being cleared in grand disapproval. I turn to see Mrs. Nightwing, Spence's frosty headmistress, staring down at me as if I were a leper. Blast.
"Miss Doyle, do you suppose that to be humorous? Making light of the very real pain of London's unfortunates?"
"I--I . . . why . . ."
Mrs. Nightwing peers at me over her spectacles. Her graying pouf of hair is like a nimbus warning of the storm to come.
"Perhaps, Miss Doyle, if you were to spend time in service to the poor, wrapping bandages as I once did in my own youth during the Crimean War, you would acquire a healthy and much-needed dose of sympathy."
"Y-yes, Mrs. Nightwing. I don't know how I could have been so unkind," I blabber.
Out of the corner of my eye, I can see Felicity and Ann hunched over their ornaments as if they were fascinating relics from an archeological dig. I note that their shoulders are trembling, and I realize that they are fighting laughter over my terrible plight. There's friendship for you.
"For this you shall lose ten good conduct marks and I shall expect you to perform an act of charity during the holiday as penance."
"Yes, Mrs. Nightwing."
"You shall write a full account of this charitable act and tell me how it has enriched your character."
"Yes, Mrs. Nightwing."
"And that ornament needs much work."
"Yes, Mrs. Nightwing."
"Have you any questions?"
"Yes, Mrs. Nightwing. I meant, no, Mrs. Nightwing. Thank you."
An act of charity? Over the holiday? Would enduring time with my brother, Thomas, count toward that end? Blast. I've done it now.
"Mrs. Nightwing?" The sheer sound of Cecily's voice could make me froth at the mouth. "I hope these are satisfactory. I do so want to be of service to the unfortunate."
It's possible that I shall lose consciousness from holding back a very loud Ha! at this. Cecily, who never misses an opportunity to tease Ann about her scholarship status, wants nothing to do with the poor. What she does want is to be Mrs. Nightwing's lapdog.
Mrs. Nightwing holds Cecily's perfect ornaments up to the light for inspection. "These are exemplary, Miss Temple. I commend you."
Cecily gives a very smug smile. "Thank you, Mrs. Nightwing."
Ah, Christmas.
With a heavy sigh, I take apart my pathetic ornament and begin again. My eyes burn and blur. I rub them but it does no good. What I need is sleep, but sleep is the very thing I fear. For weeks, I've been haunted by wicked warnings of dreams. I cannot remember much when I awaken, only snatches here and there. A sky roiling with red and gray. A painted flower dripping tears of blood. Strange forests of light. My face, grave and questioning, reflected in water. But the images that stay with me are of her, beautiful and sad.
"Why did you leave me here?" she cries, and I cannot answer. "I want to come back. I want us to be together again." I break away and run, but her cry finds me. "It's your fault, Gemma! You left me here! You left me!"
That is all I remember when I wake each morning before dawn, gasping and covered in perspiration, more tired than when I went to bed. They are only dreams. Then why do they leave me feeling so troubled?
From the Hardcover edition.
Spence Academy for Young Ladies
Ah, Christmas!
The very mention of the holiday conjures such precious, sentimental memories for most: a tall evergreen tree hung with tinsel and glass; gaily wrapped presents strewn about; a roaring fire and glasses filled with cheer; carolers grouped round the door, their jaunty hats catching the snow as it falls; a nice fat goose resting upon a platter, surrounded by apples. And of course, fig pudding for dessert.
Right. Jolly good. I should like to see that very much.
These images of Christmas cheer are miles away from where I sit now, at the Spence Academy for Young Ladies, forced to construct a drummer boy ornament using only tinfoil, cotton, and a small bit of string, as if performing some diabolical experiment in cadaver regeneration. Mary Shelley's monster could not be half so frightening as this ridiculous thing. The figure will not remind a soul of Christmas happiness. More likely, it will reduce children to tears.
"This is impossible," I grumble. I elicit no pity from any quarter. Even Felicity and Ann, my two dearest friends, which is to say my only friends here, will not come to my aid. Ann is determined to turn wet sugar and small bits of kindling into an exact replica of the Christ child in a manger. She seems to take no notice of anything beyond her own two hands. For her part, Felicity turns her cool gray eyes to me as if to say, Suffer. I am.
No, instead, it is the beastly Cecily Temple who answers me. Dear, dear Cecily, or as I affectionately refer to her in the privacy of my mind, She Who Inflicts Misery Simply by Breathing.
"I cannot fathom what is giving you such trouble, Miss Doyle. Really, it is the simplest thing in the world. Look, I've done four already." She holds out her four perfect tinfoil boys for inspection. There is a round of oohing and aahing over their beautifully shaped arms, the tiny woolen scarves--knit by Cecily's capable hands, but of course--and those delicate licorice smiles that make them seem overjoyed to be hanging by the neck from a Christmas tree.
Two weeks until Christmas and my mood blackens by the hour. The tinfoil boy seems to be begging me to shoot him. Compelled by a force larger than myself, I cannot seem to keep from placing the crippled ornament boy on the side table and performing a little show. I move the ugly thing, forcing him to drag his useless leg like Mr. Dickens's treacly Tiny Tim.
"God bless us, every one," I warble in a pathetic, high-pitched voice.
This is greeted by horrified silence. Every eye is averted. Even Felicity, who is not known as the soul of decorum, seems cowed. Behind me, there is the familiar sound of a throat being cleared in grand disapproval. I turn to see Mrs. Nightwing, Spence's frosty headmistress, staring down at me as if I were a leper. Blast.
"Miss Doyle, do you suppose that to be humorous? Making light of the very real pain of London's unfortunates?"
"I--I . . . why . . ."
Mrs. Nightwing peers at me over her spectacles. Her graying pouf of hair is like a nimbus warning of the storm to come.
"Perhaps, Miss Doyle, if you were to spend time in service to the poor, wrapping bandages as I once did in my own youth during the Crimean War, you would acquire a healthy and much-needed dose of sympathy."
"Y-yes, Mrs. Nightwing. I don't know how I could have been so unkind," I blabber.
Out of the corner of my eye, I can see Felicity and Ann hunched over their ornaments as if they were fascinating relics from an archeological dig. I note that their shoulders are trembling, and I realize that they are fighting laughter over my terrible plight. There's friendship for you.
"For this you shall lose ten good conduct marks and I shall expect you to perform an act of charity during the holiday as penance."
"Yes, Mrs. Nightwing."
"You shall write a full account of this charitable act and tell me how it has enriched your character."
"Yes, Mrs. Nightwing."
"And that ornament needs much work."
"Yes, Mrs. Nightwing."
"Have you any questions?"
"Yes, Mrs. Nightwing. I meant, no, Mrs. Nightwing. Thank you."
An act of charity? Over the holiday? Would enduring time with my brother, Thomas, count toward that end? Blast. I've done it now.
"Mrs. Nightwing?" The sheer sound of Cecily's voice could make me froth at the mouth. "I hope these are satisfactory. I do so want to be of service to the unfortunate."
It's possible that I shall lose consciousness from holding back a very loud Ha! at this. Cecily, who never misses an opportunity to tease Ann about her scholarship status, wants nothing to do with the poor. What she does want is to be Mrs. Nightwing's lapdog.
Mrs. Nightwing holds Cecily's perfect ornaments up to the light for inspection. "These are exemplary, Miss Temple. I commend you."
Cecily gives a very smug smile. "Thank you, Mrs. Nightwing."
Ah, Christmas.
With a heavy sigh, I take apart my pathetic ornament and begin again. My eyes burn and blur. I rub them but it does no good. What I need is sleep, but sleep is the very thing I fear. For weeks, I've been haunted by wicked warnings of dreams. I cannot remember much when I awaken, only snatches here and there. A sky roiling with red and gray. A painted flower dripping tears of blood. Strange forests of light. My face, grave and questioning, reflected in water. But the images that stay with me are of her, beautiful and sad.
"Why did you leave me here?" she cries, and I cannot answer. "I want to come back. I want us to be together again." I break away and run, but her cry finds me. "It's your fault, Gemma! You left me here! You left me!"
That is all I remember when I wake each morning before dawn, gasping and covered in perspiration, more tired than when I went to bed. They are only dreams. Then why do they leave me feeling so troubled?
From the Hardcover edition.
Notă biografică
Libba Bray is the author of the New York Times bestselling Gemma Doyle trilogy, comprised of A Great and Terrible Beauty, Rebel Angels, and The Sweet Far Thing. She is also the author of Beauty Queens and Going Bovine, which won the Michael L. Printz Award. Libba lives in Brooklyn, New York, with her husband, son, and two cats. Visit her at libbabray.com.
Premii
- Pennsylvania Young Reader's Choice Award Nominee, 2007
- New Atlantic Independent Booksellers Association Award Winner, 2006
- Iowa High School Book Award Nominee, 2008