Redreaming the Renaissance – Essays on History and Literature in Honor of Guido Ruggiero
Autor Mary Lindemann, Deanna Shemek, Douglas G. Biow, Alessandro Arcangeli, Suzanne Magnaninien Limba Engleză Paperback – 16 mai 2024
Redreaming the Renaissance seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.
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Specificații
ISBN-13: 9781644533369
ISBN-10: 1644533367
Pagini: 328
Ilustrații: 7 color and 7 B-W images
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.45 kg
Editura: Wiley
ISBN-10: 1644533367
Pagini: 328
Ilustrații: 7 color and 7 B-W images
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.45 kg
Editura: Wiley
Notă biografică
Mary Lindemann is professor emerita of history, University of Miami. Her most recent books include: Liaisons dangereuses: Sex, Law, and Diplomacy in the Age of Frederick the Great (2006), Medicine and Society in Early Modern Europe (2nd ed., 2009), and The Merchant Republics: Amsterdam, Antwerp, and Hamburg, 1648-1790 (2015). She is currently writing a book on the wars of the mid to late seventeenth century and especially their aftermath in Brandenburg.
Deanna Shemek is professor of Italian and European studies at the University of California, Irvine. She is author of Ladies Errant: Wayward Women and Social Order in Early Modern Italy (1998) and of In Continuous Expectation: Isabella d’Este’s Reign of Letters (2021). She has coedited numerous volumes, including Phaethon’s Children: The Este Court and its Culture in Early Modern Ferrara (2005), Writing Relations: American Scholars in Italian Archives (2008), and Itinera chartarum: 150 anni dell’Archivio di Stato di Mantova (2019). She co-directs IDEA: Isabella d'Este Archive, an online project for study of the Italian Renaissance.
Deanna Shemek is professor of Italian and European studies at the University of California, Irvine. She is author of Ladies Errant: Wayward Women and Social Order in Early Modern Italy (1998) and of In Continuous Expectation: Isabella d’Este’s Reign of Letters (2021). She has coedited numerous volumes, including Phaethon’s Children: The Este Court and its Culture in Early Modern Ferrara (2005), Writing Relations: American Scholars in Italian Archives (2008), and Itinera chartarum: 150 anni dell’Archivio di Stato di Mantova (2019). She co-directs IDEA: Isabella d'Este Archive, an online project for study of the Italian Renaissance.
Cuprins
List of Figures
Acknowledgments
Introduction: Redreaming the Renaissance: Mary Lindemann and Deanna Shemek
Part I Visions
Reflections on Reflections: The Pictorial Lessons of Mirrors in Vasari’s Lives 21: Douglas Biow
Dream Cultures of the Italian Cinquecento: Alessandro Arcangeli
Bianca e nera: Representations of African Women in Basile’s Teagene and The Tale of Tales: Suzanne Magnanini
Part II Passions
Tales of Marriage, Concubinage, and Prostitution in the Venetian Archives: Joanne Ferraro
Giovanni’s Story: Sex, Passion, and Identity in Early Modern Italy: Paula Findlen
Tullia d’Aragona’s Meschino and Religious Debate in Sixteenth-Century Italy: Julia L. Hairston
Part III Dramas
Playing with Food on the Italian Renaissance Stage: Konrad Eisenbichler
Tarquinia Molza and “Le cose del cielo”: Gender, Natural Philosophy, and Celebrity in Early Modern Italy: Meredith K. Ray
Women, Opera, and Onestà in Seventeenth-Century Rome: Courtney Quaintance
Part IV Methods
The Beginnings of the Ending: Ariosto’s Last Proems of 1516: Albert Russell Ascoli
Microhistory and the Digital Turn in Renaissance Historiography: Nicholas Terpstra
News in Verse: The Battle of Polesella (1509) between Imagination, Communication, and Information: Massimo Rospocher
Contributors
Index
Acknowledgments
Introduction: Redreaming the Renaissance: Mary Lindemann and Deanna Shemek
Part I Visions
Reflections on Reflections: The Pictorial Lessons of Mirrors in Vasari’s Lives 21: Douglas Biow
Dream Cultures of the Italian Cinquecento: Alessandro Arcangeli
Bianca e nera: Representations of African Women in Basile’s Teagene and The Tale of Tales: Suzanne Magnanini
Part II Passions
Tales of Marriage, Concubinage, and Prostitution in the Venetian Archives: Joanne Ferraro
Giovanni’s Story: Sex, Passion, and Identity in Early Modern Italy: Paula Findlen
Tullia d’Aragona’s Meschino and Religious Debate in Sixteenth-Century Italy: Julia L. Hairston
Part III Dramas
Playing with Food on the Italian Renaissance Stage: Konrad Eisenbichler
Tarquinia Molza and “Le cose del cielo”: Gender, Natural Philosophy, and Celebrity in Early Modern Italy: Meredith K. Ray
Women, Opera, and Onestà in Seventeenth-Century Rome: Courtney Quaintance
Part IV Methods
The Beginnings of the Ending: Ariosto’s Last Proems of 1516: Albert Russell Ascoli
Microhistory and the Digital Turn in Renaissance Historiography: Nicholas Terpstra
News in Verse: The Battle of Polesella (1509) between Imagination, Communication, and Information: Massimo Rospocher
Contributors
Index
Descriere
Redreaming the Renaissance offers twelve essays that build on the pathbreaking work of Guido Ruggiero in blending history and literature. Within this volume, contributors take interdisciplinary approaches to examining not only belles lettres but also other forms of artful expression, bringing their fields into conversation and reflecting on the methodology needed to sustain and enrich this conversation.