Cantitate/Preț
Produs
Total produse
Vezi coșul
Remix Theory: The Aesthetics of Sampling de Eduardo Navas

Remix Theory: The Aesthetics of Sampling

Autor Eduardo Navas
en Limba Engleză Hardback – 23 iul 2012
Sampling and remixing are now common in art, music and new media. Assessing their aesthetic qualities by focusing on technical advances in 1970s and 80s music, and later in art and media, the author argues that 'Remix' punches above its deemed cultural weight.
Citește tot Restrânge

Preț: 22764 lei

Nou

Puncte Express: 341
Preț estimativ în valută:
4357€ • 4525$ • 3619£

Carte disponibilă

Livrare economică 13-27 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783990434994
ISBN-10: 3990434993
Pagini: 192
Dimensiuni: 150 x 250 x 15 mm
Greutate: 0.3 kg
Editura: MC – De Gruyter
Locul publicării:Basel/Berlin/Boston

Notă biografică

Eduardo Navas researches the crossover of art and media in culture. His production includes art & media projects, critical texts, and curatorial projects. He has presented and lectured about his work and research internationally. Navas collaborates with artists and institutions in various countries to organize events and develop new forms of publication. He has lectured on art and media theory and practice at various colleges and universities in the United States including Otis College of Art and Design, San Diego State University, Pennsylvania State University, as well as Eugene Lang College of Liberal Arts and The School for Public Engagement at The New School. Navas received his Ph.D. from the Department of Art and Media History, Theory, and Criticism at the University of California in San Diego and is a Post Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway. Selected texts and research projects are available on Remix Theory: http://remixtheory.net. His main website: http://navasse.net

Cuprins

Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction: Remix and Noise -- Chapter One: Remix[ing] Sampling -- Chapter Two: Remix[ing] Music -- Chapter Three: Remix[ing] Theory -- Chapter Four: Remix[ing] Art -- Conclusion: Noise and Remix -- Index