Renaissance Papers 2018: Renaissance Papers

Jim Pearce, Ward J. Risvold, Suzanne J. Sanders

"One Little Room, An Everywhere": Staging Silence in London's Blackfriars and Shakespeare's Henry VIII - Deneen M. Senasi "What they are yet I know not": Speech, Silence, and Meaning in King Lear - John N. Wall Shakespearean Epiphany - Robert Lanier Reid Between the "triple pillar" and "mutual pair": Love, Friendship, and Social Networks in Antony and Cleopatra - Jonathan Shelley "Beauty Changed to Ugly Whoredom": Analyzing the Mermaid Figure in The Changeling - Kendell Spillman Imagining the Other in a Cuzco Defense of the Eucharist - Lisandra Estevez A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania - Rachel M. De Smith Roberts "Thou thyself likewise art lyttle made": Spenser, Catullus, and the Aesthetics of "smale poemes" - Melissa J. Rack The ordo salutis: Sacred Circularities in John Donne's "Good Friday 1613. Riding Westward" - Nathan Dixon "Broken-Backed" Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest - Don E. Wayne