Revealing the Unseen: New Perspectives on Qajar Art: Gingko Library Art Series
Editat de Melanie Gibson, Gwenaëlle Fellinger Contribuţii de Ali Boozari, Filiz Çakir Phillip, Layla S. Diba, Maryam Ekhtiar, Christiane Gruber, Carol Guillaume, Hadi Maktabi, Charlotte Maury, Simon Rettig, Tim Stanley, Iván Szántó, Daria Vasilyeva, Friederike Voigten Limba Engleză Hardback – 12 mai 2022
The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musée du Louvre and the Musée du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored the art of Iran in the nineteenth and early twentieth centuries, while the nation was under the rule of the Qajar dynasty. The symposium set out to present research on previously unknown and unpublished objects from this rich period of art history.
This volume, published with the Louvre Museum in France, is divided into four sections. The first, “Transitions and Transmissions,” is dedicated to the arts of painting, illumination, and lithography. The focus of the second section, entitled “The Image Revealed,” also considers works on paper, looking at new themes and techniques. “The Material World” examines the use of materials such as textiles, carpets, and armor. The articles in the final section discuss the history of two groups of artifacts acquired by their respective museums.
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Specificații
ISBN-13: 9781909942646
ISBN-10: 1909942642
Pagini: 216
Ilustrații: 115 color plates
Dimensiuni: 152 x 229 x 36 mm
Greutate: 1.6 kg
Editura: Gingko
Colecția Gingko
Seria Gingko Library Art Series
ISBN-10: 1909942642
Pagini: 216
Ilustrații: 115 color plates
Dimensiuni: 152 x 229 x 36 mm
Greutate: 1.6 kg
Editura: Gingko
Colecția Gingko
Seria Gingko Library Art Series
Notă biografică
Melanie Gibson is series editor of the Gingko Library Arts Series. Gwenaëlle Fellinger is a senior curator in the Department of Islamic Art in the Louvre Museum, where she is in charge of the arts of the Qajar era, the Islamic West, textiles and carpets, and conservation. In 2018 she curated The Empire of Roses: Masterpieces of 19th Century Persian Art.
Cuprins
Foreword by Elahé Omidyar Mir-Djalali
Prologue by Marie Lavandier and Yannick Lintz
Introduction by Gwenaëlle Fellinger
Charlotte Maury and Carol Guillaume, A first overview of Golestan 1644: album making, connoisseurship, and the carol guillaume painter Muhammad Baqir
Simon Rettig Illustrating Firdawsi’s Book of Kings in the Early Qajar Era: The Case of the Ezzat-Malek Soudavar Shahnama
Tim stanley Razi Taliqani and the ‘Lustre of the Nation’, 1880s to 1900s
Ali boozari Mirza Hassan bin Aqa Seyyed Mirza Isfahani: A Bridge Between Elite and Popular Art in the Qajar Period
Maryam Ekhtiar, Ahl al-Bayt Imagery Revisited: A Drawing by Isma?il Jalayir at the Metropolitan Museum of Art
Christiane Gruber, Without Pen, Without Ink: Fingernail Art in the Qajar Period
Layla S. Diba, Towards an Alternative Art History: Qajar Photography and Contemporary Iranian Art
Gwenaëlle Fellinger, Shimmering Mirages—Nineteenth-Century Ikat Velvets
Hadi Maktabi, Carpets as Diplomatic Gifts and Feudal Tribute under the Qajars
Friedericke Voigt, Equestrian Tiles and the Re-discovery of Underglaze Painting in Qajar Iran
Filiz Cakir Phillip, Chahar Ayna: Form, Function, and Decoration of an Enigmatic Iranian Armour
Daria Vasilyeva, On Iranian Diplomatic Gifts and Trophies of the 1820s in The State Hermitage Museum: Archival Documents and Historical Context
Iván Szántó, Pearls of Qajar Painting Strung at Random in Eastern Europe
Epilogue by Layla S. Diba, Looking Anew: Qajar Art in the Twenty-first Century
Prologue by Marie Lavandier and Yannick Lintz
Introduction by Gwenaëlle Fellinger
Charlotte Maury and Carol Guillaume, A first overview of Golestan 1644: album making, connoisseurship, and the carol guillaume painter Muhammad Baqir
Simon Rettig Illustrating Firdawsi’s Book of Kings in the Early Qajar Era: The Case of the Ezzat-Malek Soudavar Shahnama
Tim stanley Razi Taliqani and the ‘Lustre of the Nation’, 1880s to 1900s
Ali boozari Mirza Hassan bin Aqa Seyyed Mirza Isfahani: A Bridge Between Elite and Popular Art in the Qajar Period
Maryam Ekhtiar, Ahl al-Bayt Imagery Revisited: A Drawing by Isma?il Jalayir at the Metropolitan Museum of Art
Christiane Gruber, Without Pen, Without Ink: Fingernail Art in the Qajar Period
Layla S. Diba, Towards an Alternative Art History: Qajar Photography and Contemporary Iranian Art
Gwenaëlle Fellinger, Shimmering Mirages—Nineteenth-Century Ikat Velvets
Hadi Maktabi, Carpets as Diplomatic Gifts and Feudal Tribute under the Qajars
Friedericke Voigt, Equestrian Tiles and the Re-discovery of Underglaze Painting in Qajar Iran
Filiz Cakir Phillip, Chahar Ayna: Form, Function, and Decoration of an Enigmatic Iranian Armour
Daria Vasilyeva, On Iranian Diplomatic Gifts and Trophies of the 1820s in The State Hermitage Museum: Archival Documents and Historical Context
Iván Szántó, Pearls of Qajar Painting Strung at Random in Eastern Europe
Epilogue by Layla S. Diba, Looking Anew: Qajar Art in the Twenty-first Century
Recenzii
“Beautifully presented, this new book expands the current scholarship on Qajar art in many valuable directions.”