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Reviewing the Situation: The British Musical from Noël Coward to Lionel Bart

Autor John Snelson
en Limba Engleză Hardback – 4 oct 2023
The British musical in its formative years has appeared in strikingly different guises: from the lasting hits of Oliver!, and Me and My Girl, to the successes of The Dancing Years, Bless the Bride and Expresso Bongo. This authoritative study traces what made these shows successes in the West End and how their qualities define a uniquely British interpretation of the genre. Cultural, sociological and political influences entwine with close reading of the dramatic and musical elements of this repertory to reveal a fascinating web of connections and contrasts between the times, the shows and the people who made them. Through detailed case studies, such as of The Boy Friend and Bitter Sweet, the rich individuality of each West End work is spotlighted, posing vital questions and intriguing answers as to what a British musical can be. Interdisciplinary in nature, this study brings together all the core materials to discover this period in the story of the British musical. Reviewing the Situation is insightful and lively, an invaluable resource for students and scholars of musical theatre and all those theatregoers drawn to the power of these classic British shows.
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Specificații

ISBN-13: 9781350279582
ISBN-10: 1350279587
Pagini: 208
Ilustrații: 10 bw
Dimensiuni: 156 x 234 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom

Caracteristici

Provides a model for the integrated cultural study of popular musical theatre on theatre and performance courses, as well as on more specialist programs

Notă biografică

John Snelson has worked extensively in music across performance, publishing and teaching. Following his PhD on the West End musical (2003) his scholarly publications have included the monograph Andrew Lloyd Webber (2004) and chapters in core reference works on British musical theatre. He was Senior Internal Editor (covering popular, pop and light music) for the Revised New Grove Dictionary of Music and Musicians (2001), to which he was also a contributor. He lectures on musical theatre, including for Goldsmiths, University of London. He has also published extensively on opera and for twenty years worked for the Royal Opera House.

Cuprins

AcknowledgementsChapter 1 - Talents to Amuse: Creating the British MusicalChapter 2 - Bitter Sweet (1929): Noël CowardChapter 3 - Me and My Girl (1937): Lupino Lane, Noel Gay, L. Arthur Rose and Douglas FurberChapter 4 - The Dancing Years (1939): Ivor NovelloChapter 5 - Bless the Bride (1947): C.B. Cochran, A.P Herbert and Vivian EllisChapter 6 - The Boy Friend (1953): Sandy WilsonChapter 7 - Expresso Bongo (1958): Wolf Mankowitz and the More-Heneker-Norman TrioChapter 8 - Oliver! (1960): Lionel BartChapter 9 - 'I Know What I Am': the Bigger PictureList of Shows Notes ReferencesIndex

Recenzii

An eloquently written and rigorously researched academic book . A hugely valuable resource for students and academics.