Riders in the Chariot: New York Review Books Classics
Autor Patrick White David Maloufen Limba Engleză Paperback – 31 mar 2002
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 81.19 lei 21-33 zile | +31.35 lei 7-13 zile |
Vintage Publishing – 5 sep 1996 | 81.19 lei 21-33 zile | +31.35 lei 7-13 zile |
NEW YORK REVIEW OF BOOKS – 31 mar 2002 | 158.56 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781590170021
ISBN-10: 1590170024
Pagini: 643
Dimensiuni: 129 x 202 x 35 mm
Greutate: 0.64 kg
Editura: NEW YORK REVIEW OF BOOKS
Seria New York Review Books Classics
ISBN-10: 1590170024
Pagini: 643
Dimensiuni: 129 x 202 x 35 mm
Greutate: 0.64 kg
Editura: NEW YORK REVIEW OF BOOKS
Seria New York Review Books Classics
Notă biografică
Patrick White (1912-1990) was born in London and traveled to Sydney with his Australian parents six months later. White was a solitary, precocious, asthmatic child and at thirteen was sent to an English boarding school, a miserable experience. At eighteen he returned to Australia and worked as a jackaroo on an isolated sheep station. Two years later, he went up to Cambridge, settling afterwards in London, where he published his first two books. White joined the RAF in 1940 and served as an intelligence officer in the Middle East. At war’s end, he and his partner, Manoly Lascaris, bought an old house in a Sydney suburb, where they lived with their four Schnauzers. For the next eighteen years, the two men farmed their six acres while White worked on some of his finest novels, including The Tree of Man(1955), Voss (1957), and Riders in the Chariot (1961). When he was awarded the Nobel Prize in 1973, he did not attend the ceremony but, with his takings and some of his own money, created an award to help older writers who hadn’t received their due: the first recipient was Christina Stead. Late in life, when asked for a list of his loves, White responded: “Silence, the company of friends, unexpected honesty, reading, going to the pictures, dreams, uncluttered landscapes, city streets, faces, good food, cooking small meals, whisky, sex, pugs, the thought of an Australian republic, my ashes floating off at last.”
David Malouf is a novelist and poet. His novel The Great Worldwas awarded the Commonwealth Prize and Remembering Babylon was short-listed for the Booker Prize. He has received the IMPAC Dublin Literary Award and the Los Angeles TimesBook Award. He lives in Sydney, Australia.
David Malouf is a novelist and poet. His novel The Great Worldwas awarded the Commonwealth Prize and Remembering Babylon was short-listed for the Booker Prize. He has received the IMPAC Dublin Literary Award and the Los Angeles TimesBook Award. He lives in Sydney, Australia.
Recenzii
A poetically vivid narrative…It is a finely written novel with a rare flavor.
— Pittsburgh Post-Gazette
Riders in the Chariot is the most compassionate and the most beautiful of all Patrick White’s works; colours fly everywhere; his words, comic, ecstatic, are like the brushstrokes on a canvas by Nolan or Blake.
— Carmen Callil and Colm Tóibín, The Modern Library: The 200 Best Novels in English Since 1950
Patrick White is an outsider, and his characters are outsiders, outlaws, afflicted, and linked by their affliction. The visionary element in his novels is inseparable from a tough irony and a microscopically close, sometimes savage attention to physical minutiae. The coarser the texture of the physical—of bodies especially—the more likely to be illuminated by flashes of meaning and power.
— Rosemary Dinnage
— Pittsburgh Post-Gazette
Riders in the Chariot is the most compassionate and the most beautiful of all Patrick White’s works; colours fly everywhere; his words, comic, ecstatic, are like the brushstrokes on a canvas by Nolan or Blake.
— Carmen Callil and Colm Tóibín, The Modern Library: The 200 Best Novels in English Since 1950
Patrick White is an outsider, and his characters are outsiders, outlaws, afflicted, and linked by their affliction. The visionary element in his novels is inseparable from a tough irony and a microscopically close, sometimes savage attention to physical minutiae. The coarser the texture of the physical—of bodies especially—the more likely to be illuminated by flashes of meaning and power.
— Rosemary Dinnage
Descriere
Descriere de la o altă ediție sau format:
WITH AN INTRODUCTION BY DAVID MALOUFThrough the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. They place themselves in the care of a local washerwoman. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.
WITH AN INTRODUCTION BY DAVID MALOUFThrough the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. They place themselves in the care of a local washerwoman. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.