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Roger Fry, Clive Bell and American Modernism: Cultural Interactions: Studies in the Relationship between the Arts

Autor David Maddock
en Limba Engleză Paperback – 28 mai 2020
When the Bloomsbury critics Roger Fry and Clive Bell introduced an aesthetically conservative English public to recent Parisian avant-garde painting, they explained its disconcerting imagery by way of a late nineteenth-century metaphysical tradition which had long intrigued musicians and Symbolist writers on the European continent. The Post-Impressionist aesthetic they devised advocated a direct response to the formal ingenuity of the work of art without recourse to prior knowledge and emphasized the significance of visionary genius, albeit to the detriment of narrative acuity and technical accomplishment, values hitherto upheld by the Edwardian art establishment. The provocation was calculated, the author suggests, and its domestic ramifications were predictable: the reaction of an Anglo-conformist public in New York, on the other hand, was anything but. Recreating an Anglo-American dialogue inspired by Fry and Bell, and framed within a period encompassing Fry¿s Manet and the Post-Impressionists exhibition in 1910 and Alfred Barr Jr¿s Cubism and Abstract Art exhibition in 1936, the author demonstrates how key components of Bloomsbury¿s aesthetic bypassed a pre-existent modernist practice in New York and were instead taken up by an urban intelligentsia which adapted them to the requirements of an increasingly professionalized institutional practice during the 1920s.
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Specificații

ISBN-13: 9781788749275
ISBN-10: 1788749278
Pagini: 278
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0 kg
Editura: Peter Lang Copyright AG
Seria Cultural Interactions: Studies in the Relationship between the Arts


Notă biografică

Having studied Fine Art at Bristol and then Goldsmith's College, David Maddock taught art while continuing to practice as a painter. In 1989, he enrolled on the Art History master's course at the University of Leeds, where he catalogued the works of George Clausen in the Sam Wilson Bequest at the City Art Gallery, before submitting a thesis on English modernist theory between 1910 and 1914. He returned to the topic, expanding upon it, some years later when he undertook his PhD at Leicester University. He is currently Head of Art and Art History at Leicester Grammar School where, in addition to normal teaching duties, he co-ordinates a programme of exhibitions and visits to cities of cultural interest, finding time, when he can, to paint.

Descriere

Bloomsbury critics Roger Fry and Clive Bell instigated a new way of looking at art that focused on the visionary genius of the artist. This book traces the Anglo-American dialogue they inspired and demonstrates how Bloomsbury's new aesthetic was taken up by the urban intelligentsia in 1920s.