Roman Poets in Modern Guise – The Reception of Roman Poetry since World War I

Preface Introduction: The Roman Mode PART I. AUGUSTAN ECHOES 1. Virgil's EcloguesGide - Valéry - Frost - MacNeice - Tate - Hecht - Longley - Heaney 2. Uses and Abuses of Horace Owen - Brecht - Pound - Schroeder - Borchardt - Müller - Lange - Mickel - Krolow - Eich - Deppert - Meckel - Frost - Tate - Connolly - Durrell - Noyes - Leishman - Michie - Bunting - Sisson - Auden - Lowell - Fagles - Wright - Pinsky - Elliott - Davie - Hecht - McClatchy - Hall - Brodsky - Bullard PART II. REPUBLICAN COUNTERPOINTS 3. Lucretius: Poet or Scientist? Marx - Einstein - Brecht - Mann - Handke - Grünbein - Schrott 4. Catullus: Poet or Lover? Stevens - Baxter - Sisson - Ginsberg - McAfee - Budenz - Holland - Wilder - Hardy - Benton - Saylor - Dixon - DeMaria - Jaro - Dunmore - Grünbein - Schrott - Kling - Hartz 5. Propertius and the Outsiders Pound - Benda - Vagni - Schrott PART III. IMPERIAL DISSONANCES 6. Ovidian Waves Pound - Joyce - Mandelstam - Eliot - Rilke - Horia - Fischer - Von Naso - Ebersbach - Lange - Malouf - Walcott - Calvino - Kristeva - Desiato - Mincu - Lewin - Ransmayr - Nooteboom - Norfolk - Tabucchi - Tawada - Zimmerman 7. Seneca: Poet or Philosopher? Gressieker - Hiebel - Lowenstein - Grass - Hacks - Müller - Grünbein 8. Juvenal Delinquents from Lowell to Grünbein Lowell - Auden - Ansen - Gilson - Grünbein Conclusion: Why Roman Poets? Index