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Ruins of Modernity: Politics, History, and Culture

Autor Julia Hell, Andreas Schönle
en Limba Engleză Paperback – 18 mar 2010
Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In their introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the pre-modern past.Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One of the other contributors examines how W. G. Sebald’s novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed spectre of being bombed-out of existence that underpins post-Second World War modernist architecture, especially le Corbusier’s plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics addressed include atomic ruins at a Nevada test site, the connection between cinema and ruins, the various narratives that have accrued around the Inca ruin of Vilcashuaman, Tolstoy’s response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis’ obsession with imperial ruins, and the emergence in Mumbai of a new “kinetic city” on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities.Contributors: Kerstin Barndt; Jon Beasley-Murray; Russell A. Berman; Jonathan Bolton; Svetlana Boym; Amir Eshel; Julia Hell; Daniel Herwitz; Andreas Huyssen; Rahul Mehrotra; Johannes von Moltke; Vladimir Paperny; Helen Petrovsky; Todd Presner; Helmut Puff; Alexander Regier; Eric Rentschler; Lucia Saks; Andreas Schönle; Tatiana Smoliarova; George Steinmetz; Jonathan Veitch; Gustavo Verdesio; Anthony Vidler
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Specificații

ISBN-13: 9780822344742
ISBN-10: 0822344742
Pagini: 528
Ilustrații: 83 illustrations
Dimensiuni: 158 x 232 x 31 mm
Greutate: 0.77 kg
Editura: MD – Duke University Press
Seria Politics, History, and Culture

Locul publicării:United States

Cuprins

Contents; List of Illustrations; Acknowledgments: Julia Hell and Andreas Schönle, Introduction; 1. Catastrophe, Utopia, and the Architecture of Destruction; Andreas Huyssen, “Authentic Ruins: Products of Modernity”; Anthony Vidler, “Airwar and Architecture”; Vladimir Paperny, “Modernism and Destruction in Architecture”; Svetlana Boym, “Ruins of the Avant-Garde: From Tatlin’s Tower to the Paper Architecture”; 2. Ruins and the Democratic Polity; Andreas Schönle, “Modernity as a ‘Destroyed Anthill’: Tolstoy on History and the Aesthetics of Ruins”; Russell A. Berman, “Democratic Destruction: Ruins and Emancipation in the American Tradition”; Jonathan Bolton, “The Ruins of a Republic: Czech Modernism after Munich, 1938–1939”; Amir Eshel, “Layered Time: Ruins as Shattered Past; Ruins as Hope in Israeli and German Landscapes”; Lucia Saks, “Cities, Citizenship and other Jo’burg Stories”; 3. Empire, Ruins, and Their Stories; Julia Hell, “Imperial Ruin Gazers, or Why did Scipio Weep?”; Todd Samuel Presner, “Hegel’s Philosophy of World History via Sebald’s Imaginary of Ruins: A Contrapuntal Critique of the ‘New Space’ of Modernity”; Jon Beasley-Murray, “Vilcashuamán: Telling Stories in Ruins”; Daniel Herwitz, “The Monument in Ruins”; Rahul Mehrotra, “Simultaneous Modernity: Negotiations and Resistances in Urban India”; 4. (Post-)Ruinscapes; Helmut Puff, “Ruins as Models: Displaying Destruction in Postwar Germany”; Kerstin Barndt, “‘Memory Traces of an Abandoned Set of Futures.’ Industrial Ruins in the Post-Industrial Landscapes of Germany”; George Steinmetz, “Colonial Melancholy and Fordist Nostalgia: The Ruinscapes of Namibia and Detroit”; Jonathan Veitch, “Doctor Strangelove’s Cabinet of Wonder: Sifting through the Atomic Ruins at the Nevada Test Site”; Gustavo Verdesio, “Invisible at a Glance: Indigenous Cultures of the Past, Ruins, Archaeological Sites, and Our Regimes of Visibility”; 5. Ruin Gazing; Alexander Regier, “Foundational Ruins: The Lisbon Earthquake and the Sublime”; Tatiana Smoliarova, “The Promise of a Ruin: Gavriil Derzhavin’s Archaic Modernity”; Johannes von Moltke, “Ruin Cinema”; Eric Rentschler, “The Place of Rubble in the Trümmerfilm”; Helen Petrovsky, “Lost In Time: Boris Mikhailov and his Study of the Soviet”Bibliography; Contributors; Index; Contributors

Recenzii

“The scope of this book is ambitious; the execution is masterful. It is a superb collection of reflections by major scholars on the pervasive presence of ruins in contemporary cultures. It is sure to find a wide readership among urban historians, scholars of modernity, scholars and students of German, European, and post-Soviet studies, film scholars, and art historians.”—Ulrich Baer, author of Spectral Evidence: The Photography of Trauma “Ever since Shelley’s traveler returned from an ‘antique land’ with news of the shattered statue of Ozymandias, king of kings, we have pondered the sober lessons of ruins and their mockery of human pretension. In this remarkable collection assembled by Julia Hell and Andreas Schönle, the ruinscape is that of the modern world and the gazes fall as much on our prior attempts to make sense of it as on the ruins themselves.”—Martin Jay, author of Songs of Experience: Modern American and European Variations on a Universal Theme
"The scope of this book is ambitious; the execution is masterful. It is a superb collection of reflections by major scholars on the pervasive presence of ruins in contemporary cultures. It is sure to find a wide readership among urban historians, scholars of modernity, scholars and students of German, European, and post-Soviet studies, film scholars, and art historians."--Ulrich Baer, author of Spectral Evidence: The Photography of Trauma "Ever since Shelley's traveler returned from an 'antique land' with news of the shattered statue of Ozymandias, king of kings, we have pondered the sober lessons of ruins and their mockery of human pretension. In this remarkable collection assembled by Julia Hell and Andreas Schonle, the ruinscape is that of the modern world and the gazes fall as much on our prior attempts to make sense of it as on the ruins themselves."--Martin Jay, author of Songs of Experience: Modern American and European Variations on a Universal Theme

Textul de pe ultima copertă

"The scope of this book is ambitious; the execution is masterful. It is a superb collection of reflections by major scholars on the pervasive presence of ruins in contemporary cultures. It is sure to find a wide readership among urban historians; scholars of modernity; scholars and students of German, European, and post-Soviet studies; film scholars; and art historians."--Ulrich Baer, author of "Spectral Evidence: The Photography of Trauma"

Notă biografică


Descriere

Uses the concept of the ruin to study modernity, asking whether there is an intrinsic logic of "ruin" at work in modernity