Rule of Thumb: Ebert at the Movies
Autor Todd Rendlemanen Limba Engleză Paperback – 27 iun 2012
Few are in a position to write a firsthand memoir of one of the world's great film critics, but Rendleman accomplishes just this, smartly intertwining his own coming-of-age cinematic sensibility with a witty critical analysis of his subject. All told, his achievement is noteworthy: he offers a unique view of a celebrated personality, while revealing himself as a writer of insight and dash.
Preț: 111.86 lei
Preț vechi: 184.40 lei
-39% Nou
Puncte Express: 168
Preț estimativ în valută:
21.41€ • 22.58$ • 17.84£
21.41€ • 22.58$ • 17.84£
Carte tipărită la comandă
Livrare economică 02-16 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781441192219
ISBN-10: 1441192212
Pagini: 232
Ilustrații: 20
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.34 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
ISBN-10: 1441192212
Pagini: 232
Ilustrații: 20
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.34 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
Caracteristici
A
thorough,
evenhanded,
and
unprecedented
analysis
of
Roger
Ebertâ?Ts
writings
and
critical
values
Notă biografică
Todd
Rendleman
is
Professor
of
Communication
Studies
at
Seattle
Pacific
University,
where
he
teaches
film
art,
history,
and
criticism.
He
lives
in
Seattle,
Washington.
Cuprins
Acknowledgments
Preface by Roger Ebert
Introduction
Chapter 1: Godchild
Chapter 2: Rule of Thumb
Chapter 3: Close to Ebert
Chapter 4: The Total Effect
Chapter 5: Lit Crit
Chapter 6: And I Still Can SeeBlue Velvet, Through My Tears
Chapter 7: Cross References
Chapter 8: Turned On
Chapter 9: Misfires
Chapter 10: I Ain't A Pretty Boy No More
Epilogue: Heroes
Notes
Index
Preface by Roger Ebert
Introduction
Chapter 1: Godchild
Chapter 2: Rule of Thumb
Chapter 3: Close to Ebert
Chapter 4: The Total Effect
Chapter 5: Lit Crit
Chapter 6: And I Still Can SeeBlue Velvet, Through My Tears
Chapter 7: Cross References
Chapter 8: Turned On
Chapter 9: Misfires
Chapter 10: I Ain't A Pretty Boy No More
Epilogue: Heroes
Notes
Index
Recenzii
Cheerfulness
and
generosity-even
overgenerosity-aren't
qualities
we
often
associate
with
good
film
critics,
but
they
characterize
the
long
and
productive
career
of
Roger
Ebert,
and
they
also
mark
Todd
Rendleman's
ardent
reading
of
his
work.
Rendleman
pays
Ebert
the
biggest
compliment
a
moviegoer
can
give
a
critic:
he
can't
get
enough
of
him-and
he
wants
to
keep
arguing
with
him,
long
after
everybody
else
has
gone
to
bed.
--Craig
Seligman,
author
of Sontag
and
Kael:
Opposites
Attract
Me
Todd Rendleman's is the first book to survey Roger Ebert's vast impact on how movies are made and watched in America. Flashing backward and forward through Ebert's life and writings, Rendleman traces how Ebert's Midwestern ethos positioned him between Hollywood flackery and the New York intelligentsia, giving him a distinctively personal voice. In the process Rendleman dramatizes how Ebert responded to trends in American media culture--the challenges of daily reviewing, the pressures of celebrity, and not least, the dominating role of Pauline Kael. The result is an energetic, highly personal tribute to our most versatile film critic. --David Bordwell, Jacques Ledoux Professor of Film Studies, Emeritus in the Department of Communication Arts, Unviersity of Wisconsin-Madison
Todd Rendleman's book on Roger Ebert is a remarkable achievement-biography, cultural history, astute appreciation and analysis of the critic's methods and values, and on top of all that, a lovely read. Occasionally the author's tracing of the logic and references in an Ebert review takes on the narrative excitement and impulsion we encounter in the finest close readings of films. In one chapter, assessing their responses to the same movies, Rendleman's point-by-point comparisons of Ebert's critical persona and tone of mind with those of two other major voices, Pauline Kael and John Simon, yield fascinating working portraits of the strengths and limitations of all three. Perhaps the most surprising aspect of the book is its gentle but fervent assertion of a uniquely Illinoisan perspective on life and art, enhanced by the author's uninsistent marking of key moments in his own personal and cinematic itinerary as they sometimes parallel, sometimes intersect with Ebert's. It's a journey delightful to join. -Richard T. Jameson, editor, Movietone News (1971-81) and Film Comment (1990-2000) magazines
Sharp and multi-faceted in its analysis, Rule of Thumb is an honorable appreciation of Roger Ebert as plainspoken, longstanding arbiter of what's good and bad in the movies. Full of earned insights and refreshingly free of jargon, the book's illuminating reading, not least because Rendleman underscores his subject's influence by interweaving personal reminiscences about coming of age in Illinois moviehouses with his fellow Heartlander's rise as film critic and cultural game-changer.--Kathleen Murphy, Film Critic, MSN Movies
Over the years, Ebert's reviews, both on television and in print, have proven enormously influential, and this book is a solid, richly detailed examination of Ebert's life and work in the world of cinema. Recommended. All readers.
Todd Rendleman's is the first book to survey Roger Ebert's vast impact on how movies are made and watched in America. Flashing backward and forward through Ebert's life and writings, Rendleman traces how Ebert's Midwestern ethos positioned him between Hollywood flackery and the New York intelligentsia, giving him a distinctively personal voice. In the process Rendleman dramatizes how Ebert responded to trends in American media culture--the challenges of daily reviewing, the pressures of celebrity, and not least, the dominating role of Pauline Kael. The result is an energetic, highly personal tribute to our most versatile film critic. --David Bordwell, Jacques Ledoux Professor of Film Studies, Emeritus in the Department of Communication Arts, Unviersity of Wisconsin-Madison
Todd Rendleman's book on Roger Ebert is a remarkable achievement-biography, cultural history, astute appreciation and analysis of the critic's methods and values, and on top of all that, a lovely read. Occasionally the author's tracing of the logic and references in an Ebert review takes on the narrative excitement and impulsion we encounter in the finest close readings of films. In one chapter, assessing their responses to the same movies, Rendleman's point-by-point comparisons of Ebert's critical persona and tone of mind with those of two other major voices, Pauline Kael and John Simon, yield fascinating working portraits of the strengths and limitations of all three. Perhaps the most surprising aspect of the book is its gentle but fervent assertion of a uniquely Illinoisan perspective on life and art, enhanced by the author's uninsistent marking of key moments in his own personal and cinematic itinerary as they sometimes parallel, sometimes intersect with Ebert's. It's a journey delightful to join. -Richard T. Jameson, editor, Movietone News (1971-81) and Film Comment (1990-2000) magazines
Sharp and multi-faceted in its analysis, Rule of Thumb is an honorable appreciation of Roger Ebert as plainspoken, longstanding arbiter of what's good and bad in the movies. Full of earned insights and refreshingly free of jargon, the book's illuminating reading, not least because Rendleman underscores his subject's influence by interweaving personal reminiscences about coming of age in Illinois moviehouses with his fellow Heartlander's rise as film critic and cultural game-changer.--Kathleen Murphy, Film Critic, MSN Movies
Over the years, Ebert's reviews, both on television and in print, have proven enormously influential, and this book is a solid, richly detailed examination of Ebert's life and work in the world of cinema. Recommended. All readers.