Throughout history the peoples of Asia have been known for their mobility and interactions. The notion of territorially defined nations is historically recent. There was a continuing dialogue between Asian cultures which functioned at both the spatial and the temporal level, propelled by the movement of the great religions of Asia across continents via trading communities, clergies, Buddhist and Sufi scholars and communities of artisans. This book explores the aesthetic theories underlying many genres of the Asian arts. These characterise the dialogue between and amongst different Asian regions. The same Asian notions of space and time are manifested in architectural form as also in a wide variety of visual arts. The contributors in this volume identify the multi-layered discourse comprising the nature of monuments, as also the movement of motifs and symbols though sculptured and pictured representation. Some essays focus on fundamental notions such as Sunyata as common to the Indian, Korean and other Asian countries. Also, the papers bear testimony to the phenomena of dialogue and distinctiveness, continuity and change. This is evident in architectural structures, sculptural forms, particularly in iconography, and of course in the performing arts. The IIC-Asia Project in its second phase has, with purpose, traced the trajectory of transmission systems in Asian civilisation in different domains and at different levels, be it the vertical transmission from generation to generation in education, or the artistic transmission and diffusion through the arts. It is hoped that this volume will add to the meagre literature that exists on the subject and will stimulate further research and study.