Sacred Possessions: Vodou, Santería, Obeah, and the Caribbean
Editat de Margarite Fernândez Olmos, Lizabeth Paravisini-Geberten Limba Engleză Paperback – 28 feb 1997
Sacred Possessions is an unprecedented collection of thirteen comparative and interdisciplinary essays exploring the cross-cultural dynamics of African-based religious systems in the Caribbean. The contributors analyze the nature and liturgies of Vodou, Santeria, Obeah, Quimbois, and Gaga as they form one central cultural matrix in the region. They ask how these belief systems were affected by differing colonial histories and landscapes, and how they affected other cultural expressions (from the oral tradition to popular art and literature), and how they have been perceived and (mis)represented by the West.
The book is a unique contribution to the study of the Caribbean as a site of multiculturalism, demonstrating the linkages between anthropology, religion, literature, and popular culture. Also included are a stunning photoessay on Cuban Santeria, a glossary of terms, and an insightful introduction by the editors.
The book is a unique contribution to the study of the Caribbean as a site of multiculturalism, demonstrating the linkages between anthropology, religion, literature, and popular culture. Also included are a stunning photoessay on Cuban Santeria, a glossary of terms, and an insightful introduction by the editors.
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Specificații
ISBN-13: 9780813523613
ISBN-10: 0813523613
Pagini: 325
Ilustrații: 29
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.51 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
ISBN-10: 0813523613
Pagini: 325
Ilustrații: 29
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.51 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Notă biografică
MARGARITE FERNANDEZ OLMOS is the author or coeditor of many books, including The Latino Reader: An American Literary Tradition from 1542 to the Present, U.S. Latino Literature: A Critical Guide for Students and Teachers, Healing Cultures: Art and Religion as Curative Practices in the Caribbean and Its Diaspora, Sacred Possessions: Vodou, Santería, Obeah, and the Caribbean, and Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo.
Cuprins
Acknowledgments
Introduction: Religious Syncretism and Caribbean Culture
Vodoun, or the Voice of the Gods
Women Possessed: Eroticism and Exoticism in the Representation of Woman as Zombie
"I Am Going to See Where My Oungan Is": The Artistry of a Haitian Vodou Flagmaker
La Regla de Ocha: The Religious System of Santeria
From The Sacred Wild to the City: Santeria in Cuba Today
From Monkey Tales to Cuban Songs: On Signification
Ifa and Interpretation: An Afro-Caribbean Literary Practice
Romantic Voodoo: Obeah and British Culture, 1797-1807
"An Article of Faith": Obeah and Hybrid Identities in Elizabeth Nunez-Harrell's When Rocks Dance
"Another Poor Devil of a Human Being...": Jean Rhys and the Novel as Obeah
The Shaman Woman, Resistance, and the Powers of Transformation: A Tribute to Ma Cia in Simone Schwarz-Bart's The Bridge of Beyond
Sorcerers, She-Devils, and Shipwrecked Women: Writing Religion in French-Caribbean Literature
Trans-Caribbean Identity and the Fictional World of Mayra Montero
Glossary
Works Cited
Notes on Contributors
Index
Introduction: Religious Syncretism and Caribbean Culture
Vodoun, or the Voice of the Gods
Women Possessed: Eroticism and Exoticism in the Representation of Woman as Zombie
"I Am Going to See Where My Oungan Is": The Artistry of a Haitian Vodou Flagmaker
La Regla de Ocha: The Religious System of Santeria
From The Sacred Wild to the City: Santeria in Cuba Today
From Monkey Tales to Cuban Songs: On Signification
Ifa and Interpretation: An Afro-Caribbean Literary Practice
Romantic Voodoo: Obeah and British Culture, 1797-1807
"An Article of Faith": Obeah and Hybrid Identities in Elizabeth Nunez-Harrell's When Rocks Dance
"Another Poor Devil of a Human Being...": Jean Rhys and the Novel as Obeah
The Shaman Woman, Resistance, and the Powers of Transformation: A Tribute to Ma Cia in Simone Schwarz-Bart's The Bridge of Beyond
Sorcerers, She-Devils, and Shipwrecked Women: Writing Religion in French-Caribbean Literature
Trans-Caribbean Identity and the Fictional World of Mayra Montero
Glossary
Works Cited
Notes on Contributors
Index
Descriere
This collection of 13 comparative and interdisciplinary essays explores the cross-cultural dynamics of African-based religious systems in the Caribbean. The contributors analyze the nature and liturgies of Vodou, Santeria, Obeah, Quimbois, and Gaga as they form one central cultural matrix in the region. They ask how these belief systems were affected by differing colonial histories and landscapes, how they affected other cultural expressions (from the oral tradition to popular art and literature), and how they have been perceived and (mis)represented by the West. Also included is a photoessay on Cuban Santeria.