Sara Levy′s World – Gender, Judaism, and the Bach Tradition in Enlightenment Berlin de Rebecca Cypess

Sara Levy′s World – Gender, Judaism, and the Bach Tradition in Enlightenment Berlin: Eastman Studies in Music

Rebecca Cypess

Nancy Sinkoff

A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.

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Cuprins

Introduction: Experiencing Sara Levy's World Part One: Portrait of a Jewish Female Artist: Music, Identity, Image What Was the Berlin Jewish Salon Around 1800? Sara Levy's Musical Salon and Her Bach Collection Remaining Within the Fold: The Cultural and Social World of Sara Levy Women's Voices in Bach's Musical World: Christiane Mariane von Ziegler and Faustina Bordoni Part Two: Music, Aesthetics, and Philosophy: Jews and Christians in Sara Levy's World Lessing and the Limits of Enlightenment Poetry, Music, and the Limits of Harmony: Mendelssohn's Aesthetic Critique of Christianity Longing for the Sublime: Jewish Self-Consciousness and the St. Matthew Passion in Biedermeier Berlin Part Three: Studies in Sara Levy's Collection Duets in the Collection of Sara Levy and the Ideal of "Unity in Multiplicity" The Sociability of Salon Culture and Carl Philipp Emanuel Bach's Quartets Appendix: The Salonnière and the Diplomat: Letters from Sara Levy to Karl Gustav von Brinckmann Bibliography List of Contributors Index