Scandinavian Crime Fiction: International Crime Fictions
Editat de Andrew Nestingen, Paula Arvasen Limba Engleză Paperback – 14 apr 2011
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Specificații
ISBN-13: 9780708323304
ISBN-10: 0708323308
Pagini: 194
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.34 kg
Editura: University of Wales Press
Colecția University of Wales Press
Seria International Crime Fictions
ISBN-10: 0708323308
Pagini: 194
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.34 kg
Editura: University of Wales Press
Colecția University of Wales Press
Seria International Crime Fictions
Notă biografică
Paula Arvas is a lecturer in Finnish at the University of Helsinki. Andrew Nestingen is associate professor of Scandinavian Studies at the University of Washington in Seattle.
Cuprins
Acknowledgements
Notes on Contributors
Introduction: Contemporary Scandinavian Crime Fiction
Paula Arvas and Andrew Nestingen
Part I: Revisions of the Socially Critical Genre Tradition
1. Dirty Harry in the Swedish Welfare State
Michael Tapper
2. The Well-Adjusted Cops of the New Millennium: Neo-Romantic Tendencies in the Swedish Police Procedural
Kerstin Bergman
3. Meaningless Icelanders: Icelandic Crime Fiction and Nationality
Katrin Jakobsdóttir
4. Digging into the Secrets of the Past: Rewriting History in the Modern Scandinavian Police Procedural
Karsten Wind Meyhoff
Part II: Questions of Place
5. The Place of Pessimism in Henning Mankell’s Kurt Wallander Series
Shane McCorristine
6. Gender and Geography in Contemporary Scandinavian Television Crime Fiction
Karen Klitgaard Povlsen
7. Straight Queers: Anne Holt’s Transnational Lesbian Detective Fiction
Ellen Rees
8. Next to the Final Frontier: Russians in Contemporary Finnish and Scandinavian Crime Fiction
Paula Arvas
Part III: Politics of Representation
9. Swedish Queens of Crime: the Art of Self-Promotion and the Notion of Feminine Agency—Liza Marklund and Camilla Läckberg
Sara Kärrholm
10. High Crime in Contemporary Scandinavian Literature—the Case of Peter Høeg’s Miss Smilla’s Feeling for Snow
Magnus Persson
11. Håkan Nesser and the Third Way: of Loneliness, Alibis, and Collateral Guilt
Sylvia Söderlind
12. Unnecessary Officers: Realism, Melodrama and Scandinavian Crime Fiction in Transition
Andrew Nestingen
Index
Notes on Contributors
Introduction: Contemporary Scandinavian Crime Fiction
Paula Arvas and Andrew Nestingen
Part I: Revisions of the Socially Critical Genre Tradition
1. Dirty Harry in the Swedish Welfare State
Michael Tapper
2. The Well-Adjusted Cops of the New Millennium: Neo-Romantic Tendencies in the Swedish Police Procedural
Kerstin Bergman
3. Meaningless Icelanders: Icelandic Crime Fiction and Nationality
Katrin Jakobsdóttir
4. Digging into the Secrets of the Past: Rewriting History in the Modern Scandinavian Police Procedural
Karsten Wind Meyhoff
Part II: Questions of Place
5. The Place of Pessimism in Henning Mankell’s Kurt Wallander Series
Shane McCorristine
6. Gender and Geography in Contemporary Scandinavian Television Crime Fiction
Karen Klitgaard Povlsen
7. Straight Queers: Anne Holt’s Transnational Lesbian Detective Fiction
Ellen Rees
8. Next to the Final Frontier: Russians in Contemporary Finnish and Scandinavian Crime Fiction
Paula Arvas
Part III: Politics of Representation
9. Swedish Queens of Crime: the Art of Self-Promotion and the Notion of Feminine Agency—Liza Marklund and Camilla Läckberg
Sara Kärrholm
10. High Crime in Contemporary Scandinavian Literature—the Case of Peter Høeg’s Miss Smilla’s Feeling for Snow
Magnus Persson
11. Håkan Nesser and the Third Way: of Loneliness, Alibis, and Collateral Guilt
Sylvia Söderlind
12. Unnecessary Officers: Realism, Melodrama and Scandinavian Crime Fiction in Transition
Andrew Nestingen
Index
Recenzii
“This volume consists of a series of clear-cut analyses, examining prevalent notions in Scandinavian crime fiction. The contributors participate admirably in defining the concept of ‘Scandinavian’ by focusing on historical and cultural aspects of proximity and differences within the Scandinavian region. The history and present transformations of Scandinavian police procedurals are mapped, the tendency to harsh social criticism is scrutinized, and widespread attitudes to gender and cultural politics are highlighted and discussed. Timely and highly informative, this anthology discusses why Scandinavian crime fiction has been so widely exported and which significant contributions in particular it has made to the popular genre. It will be a landmark text in the study of Scandinavian crime fiction and its social significance.”