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Scenographies of the Subject de Lars Friedrich

Scenographies of the Subject

Editat de Lars Friedrich, Karin Harrasser, Céline Kaiser
en Limba Engleză Paperback – 2 apr 2019
Under what circumstances do subjects become visible? And how do subjects themselves change and move the circumstances that allow them to appear? Rather than describing medial, architectural, or rhetorical arrangements that are readily available to subjects, or concentrating on the processes of subject constitution without their scenic arrangements, this volume is dedicated to the reciprocal production of both subjects and scenes. From various perspectives, it underlines the abysmal conditions in which subjects arrive on stage and vice versa the stages arrive at their subjects. Through articles that analyze concrete scenes in a highly-focused manner and question the concept of the scene itself, this volume argues that there is not subject without a scene, and no scene without an instance of description. Based on this thesis, this volume investigates antique drama and revolutionary rhetoric, therapeutic and bureaucratic facilities, experiments in fine art and film, and, not least, scenesof theory: rhetorical stages that perform arguments and politics.

Editors
Dr. Lars Friedrich works at the Institute for German Literature at the University of Frankfurt am Main.
Dr. Karin Harrasser is a professor at the Art University in Linz.
Dr. Céline Kaiser is a professor at the University of Applied Sciences and Arts in Ottersberg.
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Specificații

ISBN-13: 9783658129057
ISBN-10: 3658129050
Pagini: 145
Ilustrații: VI, 167 p. 14 illus., 6 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.27 kg
Ediția:1st ed. 2019
Editura: Springer Fachmedien Wiesbaden
Colecția Springer VS
Locul publicării:Wiesbaden, Germany

Cuprins

Founding scenes.- Scenes of Therapy.- Scenes of Transgression.- Scenes of Theory.

Notă biografică

Dr. Lars Friedrich works at the Institute for German Literature at the University of Frankfurt am Main.
Dr. Karin Harrasser is a professor at the Art University in Linz.
Dr. Céline Kaiser is a professor at the University of Applied Sciences and Arts in Ottersberg.

Textul de pe ultima copertă

Under what circumstances do subjects become visible? And how do subjects themselves change and move the circumstances that allow them to appear? Rather than describing medial, architectural, or rhetorical arrangements that are readily available to subjects, or concentrating on the processes of subject constitution without their scenic arrangements, this volume is dedicated to the reciprocal production of both subjects and scenes. From various perspectives, it underlines the abysmal conditions in which subjects arrive on stage and vice versa the stages arrive at their subjects. Through articles that analyze concrete scenes in a highly-focused manner and question the concept of the scene itself, this volume argues that there is not subject without a scene, and no scene without an instance of description. Based on this thesis, this volume investigates antique drama and revolutionary rhetoric, therapeutic and bureaucratic facilities, experiments in fine art and film, and, not least, scenes of theory: rhetorical stages that perform arguments and politics.


Contents

  • Founding scenes
  • Scenes of Therapy
  • Scenes of Transgression
  • Scenes of Theory

Target Groups

Students of Social Sciences, Humanities, and Cultural Studies


The Editors

Dr. Lars Friedrich works at the Institute for German Literature at the University of Frankfurt am Main.
Dr. Karin Harrasser is a professor at the Art University in Linz.
Dr. Céline Kaiser is a professor at the University of Applied Sciences and Arts in Ottersberg.

Caracteristici

Performing arts and philosophy - discussions about subjectivity What art can tell us about our status as subjects Interdisciplinar volume