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Scorsese and Religion: Studies in Religion and the Arts, cartea 15

Editat de Christopher B. Barnett, Clark J. Elliston
en Limba Engleză Hardback – 18 sep 2019
Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus. Ultimately, this book demonstrates that Scorsese’s cinematic “re-presentation” of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his “whole life” had been “movies and religion,” cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art.
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Specificații

ISBN-13: 9789004411371
ISBN-10: 9004411372
Dimensiuni: 155 x 235 mm
Greutate: 0.52 kg
Editura: Brill
Colecția Brill
Seria Studies in Religion and the Arts


Notă biografică

Christopher B. Barnett, D.Phil. (Oxford, 2008), is Associate Professor in the Department of Theology and Religious Studies at Villanova University, USA. In addition to numerous articles and book chapters, he has published three monographs, including Kierkegaard and the Question Concerning Technology (Bloomsbury Academic, 2019).
Clark J. Elliston, D.Phil. (Oxford, 2012) is Assistant Professor of Religion and Philosophy at Schreiner University, USA. Interested in the intersection of Christian theology, culture, and technology, he is the author of Dietrich Bonhoeffer and the Ethical Self (Fortress, 2016).

Contributors are: Christopher B. Barnett, Rhonda Burnette-Bletsch, Guerric DeBona, Mark Dennis, Clark J. Elliston, M. Gail Hamner, D. Stephen Long, Gerard Loughlin, John McAteer, Darren J.N. Middleton, Stephen Mulhall, Cari Myers, Marc Raymond, Kerry San Chirico

Cuprins

Acknowledgements
List of Illustrations
Notes on Contributors
Introduction
Christopher B. Barnett and Clark J. Elliston

Part 1: Scorsese and Catholicism


1 The Catholic Scorsese – or How a Seminarian Turned to the Movies
Marc Raymond
2 No Way Out: Martin Scorsese and the Ecclesial Imagination
Guerric DeBona,osb

Part 2: Religious Influences and Themes in Scorsese’s Cinema


3 Dostoevskian Elements in Scorsese’s Cinema
Christopher B. Barnett
4 The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero
John McAteer
5 Violence and Redemption in Scorsese’s Films: A Girardian Reading
Cari Myers
6 Scorsese as a Critic of Modernity: The Woman Question
M. Gail Hamner

Part 3: Scorsese and Religion: A Selective Filmography


7The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints
Rhonda Burnette-Bletsch
8 Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma
Kerry P.C. San Chirico
9 Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead
Gerard Loughlin
10 Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island
Stephen Mulhall
11 Reinventing Human Experience: Hugo and the Theological Possibilities of Film
Clark J. Elliston
12 The Wolf of Wall Street and Economic Nihilism
D. Stephen Long
13 The Global Afterlives of Silence
Darren J.N. Middleton and Mark W. Dennis
Index of Bible References
Index of Names and Subjects