Scream for Me, Africa!: Heavy Metal Identities in Post-Colonial Africa: Advances in Metal Music and Culture
Autor Edward Banchsen Limba Engleză Paperback – 4 sep 2023
Scream for Me Africa! examines the hard rock and metal scenes in five African countries: Botswana, Togo, South Africa, Kenya, and Ghana. Edward Banchs interviewed musicians, producers, and fans in each country to create vivid pictures of each of these rarely discussed scenes. The book considers how the subculture of heavy metal is viewed in postcolonial Africa and examines how musicians on the continent have stepped forward to make this genre their own. It looks at Africa's blossoming scenes through various themes, including hybridity, othering, and political tensions.
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Specificații
ISBN-13: 9781789388596
ISBN-10: 1789388597
Pagini: 186
Ilustrații: 31 halftone photographs
Dimensiuni: 152 x 241 x 15 mm
Greutate: 0.32 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria Advances in Metal Music and Culture
ISBN-10: 1789388597
Pagini: 186
Ilustrații: 31 halftone photographs
Dimensiuni: 152 x 241 x 15 mm
Greutate: 0.32 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria Advances in Metal Music and Culture
Notă biografică
Edward Banchs is a freelance writer and independent scholar based in Pittsburgh, Pennsylvania. He is the author of Heavy Metal Africa: Life, Passion and Heavy Metal in the Forgotten Continent.
Cuprins
Acknowledgements
Introduction: Redefining the Boundaries of Scenes
PART I: HEAVY METAL AND CULTURAL CONFRONTATIONS
1. Arka’n Asrafokor and the Reinvention of Togo
2. Dark Suburb: The Rebellious Sons of a Nation and the Amplifying of the Silent in the City of Hope
3. Lights, Camera, Leather! Kalahari Snapshots, Global Visions and Marginal Existences
PART II: HEAVY METAL AND POLITICAL CONFRONTATIONS
4. Apartheid’s Haze: Finding Clarity through Heavy Metal in South Africa
5. Kenyan Dreams, Nairobi Nights: Heavy Metal and Hope in the Post-Authoritarian Kenya
Conclusion: Confronting Realities through Heavy Metal
Endnotes
References
Index
Biographical note
Introduction: Redefining the Boundaries of Scenes
PART I: HEAVY METAL AND CULTURAL CONFRONTATIONS
1. Arka’n Asrafokor and the Reinvention of Togo
2. Dark Suburb: The Rebellious Sons of a Nation and the Amplifying of the Silent in the City of Hope
3. Lights, Camera, Leather! Kalahari Snapshots, Global Visions and Marginal Existences
PART II: HEAVY METAL AND POLITICAL CONFRONTATIONS
4. Apartheid’s Haze: Finding Clarity through Heavy Metal in South Africa
5. Kenyan Dreams, Nairobi Nights: Heavy Metal and Hope in the Post-Authoritarian Kenya
Conclusion: Confronting Realities through Heavy Metal
Endnotes
References
Index
Biographical note
Recenzii
"Reinforces the idea that African heavy metal is diverse and a vital platform for exploring and redefining postcolonial identities and expression, as well as resisting authoritarianism, capitalism, and exploitation of African people and resources."