Screen Epiphanies: Film-makers on the films that inspired them
Autor Geoffrey Macnaben Limba Engleză Hardback – 30 noi 2009
"What I remember was that it was the first time a piece of fiction had had such a devastating emotional effect on me. A lot of children remember seeing cartoons,PinocchioorBambior something that breaks their heart. I remember seeingThe Blue Angeland it breaking my heart. It was the first time I realised there was an adult world - that adults could damage each other or destroy each other emotionally. It might have fed into a whole series of epiphanies about my own upbringing. I was living in a family where my grandparents had separated in quite complex circumstances. Perhaps it resonated with some elements of that, to do with simply how love can be a rupturing and damaging emotion as well as a healing one. Also, to see somebody who is in an authority position made so small, so diminished, by the feeling of having no control." Anthony Minghella /The Blue Angel
"In a strange, lethal way, I was suddenly wildly attracted to the process of filmmaking, even though it is described as a nightmare - a matter of horror - in that film. There is a trancelike atmosphere. Suddenly, I was reminded that you can feel like it's a matter of life and death when you make a film. It changed from being a mediocre feeling of emptiness in your life to something that feels necessary. I realised that filmmaking can be many things - and it can be narcotic in a way. You can become addicted to it." Thomas Vinterberg /Hearts of Darkness
Screen Epiphaniesbrings together 32 leading film-makers to discuss the films that inspired them to pursue a career in the movie business, or which influenced their own film-making practice, or which stayed with them because of their depictions of familiar communities, intense human relationships or unknown worlds.
Beautifully illustrated with images from the films discussed,Screen Epiphaniesis a thought-provoking and often moving insight into the creative process and the way in which artists are inspired by each other's work, but also into the centrality of cinema in all our lives, and its power to change our ambitions and how we see the world around us.
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Specificații
ISBN-13: 9781844571901
ISBN-10: 1844571904
Pagini: 304
Ilustrații: colour and b/w images (film stills)
Dimensiuni: 189 x 246 x 23 mm
Greutate: 1.11 kg
Ediția:2009
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844571904
Pagini: 304
Ilustrații: colour and b/w images (film stills)
Dimensiuni: 189 x 246 x 23 mm
Greutate: 1.11 kg
Ediția:2009
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
Descriere
Screen
Epiphaniesbrings
together
leading
filmmakers
from
around
the
world
to
reflect
on
the
films
that
inspired
them
to
pursue
a
career
in
cinema
or
to
rethink
their
own
practice. This
beautifully-illustrated
volume includes
contributions
from
Danny
Boyle,
Anthony
Minghella,
Martin
Scorsese,
Mira
Nair
and
Lars
von
Trier.
Cuprins
Introduction.- Kevin
Macdonald,
The
Life
and
Death
of
Colonel
Blimp.-
Paul
Schrader,
Pickpocket.- Anthony
Minghella,
The
Blue
Angel.- Danny
Boyle,
Apocalypse
Now.-
Gurinder
Chadha,
Purab
Aur
Pachhim.- Mike
Leigh,
Room
at
the
Top.- Mike
Hodges,
The
Sweet
Smell
of
Success
.- Thomas
Vinterberg,
Hearts
Of
Darkness.- Albert
Maysles,
Not
a
film,
people.-
Sally
Potter,
Monsieur
Hulot's
Holiday.-
Nick
Park,
Rebecca.- Alan
Parker,
Little
Fugitive.-
Manoel
De
Oliveira,
Berlin,
Symphony
of
a
City.-
Don
Boyd,
Hamlet.- David
Puttnam,
Pinocchio.-
Frank
Darabont,
THX1138.- Lars
Von
Trier,
Barry
Lyndon.-
Atom
Egoyan,
Persona.-
Barbet
Schroeder,
Voyage
to
Italy.- Bertrand
Tavernier,
Fort
Apache.-
Mike
Newell,
La
Grande
Illusion.-
Ken
Loach,
The
Fireman's
Ball.- Michael
Apted,
Wild
Strawberries.- Jeremy
Thomas,
Badlands.-
Abbas
Kiarostami,
Eight
and
a
Half.- Stephen
Frears,
Meeting
Karel
Reisz.-
Terence
Davies,
Doris
Day.-
Aki
Kaurismäki,
Nanook
of
the
North.- Mike
Figgis,
Weekend.- Mira
Nair,
La
Jetée.- Stephen
Woolley,
Zulu
.- Martin
Scorsese,
The
Red
Shoes.
Notă biografică
GEOFFREY MACNAB is a freelance journalist and author based in London. He is the UK correspondent for 'Screen International' and also writes for theGuardian, theIndependentandSight& Sound. His books includeJ Arthur Rank and the British Film Industry(1994),Searching for Stars: Stardom and Screen Acting in British Cinema(2000),The Making of Taxi Driver(2006) and
Ingmar Bergman: The Life and Films of the Last Great European Director (2009).
Textul de pe ultima copertă
"What I remember was that it was the first time a piece of fiction had had such a devastating emotional effect on me. A lot of children remember seeing cartoons,PinocchioorBambior something that breaks their heart. I remember seeingThe Blue Angeland it breaking my heart. It was the first time I realised there was an adult world - that adults could damage each other or destroy each other emotionally. It might have fed into a whole series of epiphanies about my own upbringing. I was living in a family where my grandparents had separated in quite complex circumstances. Perhaps it resonated with some elements of that, to do with simply how love can be a rupturing and damaging emotion as well as a healing one. Also, to see somebody who is in an authority position made so small, so diminished, by the feeling of having no control." Anthony Minghella /The Blue Angel
"In a strange, lethal way, I was suddenly wildly attracted to the process of filmmaking, even though it is described as a nightmare - a matter of horror - in that film. There is a trancelike atmosphere. Suddenly, I was reminded that you can feel like it's a matter of life and death when you make a film. It changed from being a mediocre feeling of emptiness in your life to something that feels necessary. I realised that filmmaking can be many things - and it can be narcotic in a way. You can become addicted to it." Thomas Vinterberg /Hearts of Darkness
Screen Epiphaniesbrings together 32 leading film-makers to discuss the films that inspired them to pursue a career in the movie business, or which influenced their own film-making practice, or which stayed with them because of their depictions of familiar communities, intense human relationships or unknown worlds.
Beautifully illustrated with images from the films discussed,Screen Epiphaniesis a thought-provoking and often moving insight into the creative process and the way in which artists are inspired by each other's work, but also into the centrality of cinema in all our lives, and its power to change our ambitions and how we see the world around us.
Caracteristici
Includes
interviews
with
leading
filmmakers
including
Danny
Boyle
(director
of
'Slumdog
Millionaire'),
Martin
Scorsese,
Anthony
Minghella
and
Mike
Leigh
Beautifully illustrated in colour and black and white with images from the films discussed
We are expecting widespread media coverage on publication including extracts/reviews in national press, radio and online
Beautifully illustrated in colour and black and white with images from the films discussed
We are expecting widespread media coverage on publication including extracts/reviews in national press, radio and online