Screening Out the Past: The Birth of Mass Culture and the Motion Picture Industry
Autor Lary Mayen Limba Engleză Paperback – 30 noi 1983
"A
scrupulously
argued,
clearly
written
account
of
Hollywood's
role
in
bringing
America
skipping
and
giggling
from
the
Victorian
world
into
the
twentieth
century."—Philip
French,London
Sunday
Observer
"It is impossible to follow a narrow trail through the movies. The vistas keep opening, and May, linking movies to mass society, finds and makes new perceptions on emerging women, the rise of the studios, the special growth and appeal of Los Angeles, the nature of studio leadership and the early and persistent imputed corrupting power of film."—Charles Champlin,Los Angeles Times
"Lary May . . . has provided a set of new and rich insights into the changing patterns of American culture, 1890-1929. . . . His concentration on social and cultural history indirectly provides answers to questions which have baffled political historians for several decades."—David W. Noble,Minneapolis Tribune
"[Screening Out the Pastis] a scrupulously argued, clearly written account of Hollywood's role in bringing America skipping and giggling from the Victorian world into the twentieth century. May is splendid on the psychology of the immigrant movie moguls, on Douglas Fairbanks and Mary Pickford as post Great War role models, and many other things."—Philip French,London Sunday Observor
"Altogether, the book represents the most successful blending of movie and cultural history to date."—Benjamin McArthur,Journal of Social History
"It is impossible to follow a narrow trail through the movies. The vistas keep opening, and May, linking movies to mass society, finds and makes new perceptions on emerging women, the rise of the studios, the special growth and appeal of Los Angeles, the nature of studio leadership and the early and persistent imputed corrupting power of film."—Charles Champlin,Los Angeles Times
"Lary May . . . has provided a set of new and rich insights into the changing patterns of American culture, 1890-1929. . . . His concentration on social and cultural history indirectly provides answers to questions which have baffled political historians for several decades."—David W. Noble,Minneapolis Tribune
"[Screening Out the Pastis] a scrupulously argued, clearly written account of Hollywood's role in bringing America skipping and giggling from the Victorian world into the twentieth century. May is splendid on the psychology of the immigrant movie moguls, on Douglas Fairbanks and Mary Pickford as post Great War role models, and many other things."—Philip French,London Sunday Observor
"Altogether, the book represents the most successful blending of movie and cultural history to date."—Benjamin McArthur,Journal of Social History
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Specificații
ISBN-13: 9780226511733
ISBN-10: 0226511731
Pagini: 320
Ilustrații: 60 b&w illustrations
Dimensiuni: 139 x 207 x 20 mm
Greutate: 0.36 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 0226511731
Pagini: 320
Ilustrații: 60 b&w illustrations
Dimensiuni: 139 x 207 x 20 mm
Greutate: 0.36 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press
Cuprins
Preface
Introduction
1. The Backdrop: Victorian America and Amusements
2. Through a Lens Darkly: The Decline of Progress
3. Rescuing the Family: Urban Progressivism and Modern Leisure
4. Apocalyptic Cinema: D. W. Griffith and the Aesthetics of Reform
5. Revitalization: Douglas Fairbanks, Mary Pickford, and the New Personality, 1914-1918
6. You Are the Star: The Evolution of the Theater Palace, 1908-1929
7. The New Frontier: "Hollywood," 1914-1920
8. Politics Dissolved: Cecil B. DeMille and the Consumer Ideal, 1918-1929
Epilogue
Appendix I: Historiography and New Sources
Appendix II: Tables
Notes
Index
Introduction
1. The Backdrop: Victorian America and Amusements
2. Through a Lens Darkly: The Decline of Progress
3. Rescuing the Family: Urban Progressivism and Modern Leisure
4. Apocalyptic Cinema: D. W. Griffith and the Aesthetics of Reform
5. Revitalization: Douglas Fairbanks, Mary Pickford, and the New Personality, 1914-1918
6. You Are the Star: The Evolution of the Theater Palace, 1908-1929
7. The New Frontier: "Hollywood," 1914-1920
8. Politics Dissolved: Cecil B. DeMille and the Consumer Ideal, 1918-1929
Epilogue
Appendix I: Historiography and New Sources
Appendix II: Tables
Notes
Index