Sculpture Collections in Europe and the United States 1500-1930: Variety and Ambiguity: Studies in the History of Collecting & Art Markets, cartea 10
Malcolm Baker, Inge Reisten Limba Engleză Hardback – 22 iun 2021
This book evolved from a symposium "Sculpture Collecting and Display, 1600-2000," organized by the Center for the History of Collecting, that was held at The Frick Collection on May 19 and 20, 2017. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation.
The book is published in association with The Frick Collection.
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Specificații
ISBN-13: 9789004458468
ISBN-10: 9004458468
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in the History of Collecting & Art Markets
ISBN-10: 9004458468
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in the History of Collecting & Art Markets
Cuprins
Foreword
List of Illustrations
Contributors
Variety and Ambiguity: What Do We Mean by a “Sculpture Collection”?
Malcolm Baker
1 Sculpture Collecting and the Kunstkammer
Thomas DaCosta Kaufmann
2 The Collecting of Small Bronze Sculptures in Late Renaissance Italy: The Canonici Collection
Jeremy Warren
3 Shifting Perceptions and Changing Frameworks: The Case of Francis van Bossuit and the Place of Small-Scale Sculpture in Ivory in the Sculpture Collection
Malcolm Baker
4 Gentlemen Prefer Bronze: Garden Sculpture and Sculpture Gardens in Britain (1720–1860)
Julius Bryant
5 The Sculpture Gardens of Versailles, Marly, and Dresden: Magnificence and Its Limits
Betsy Rosasco
6 The ‘Gallerie du S.r Girardon Sculpteur Ordinaire du Roy’
Anne-Lise Desmas
7 Porcelain as Sculpture: Medium, Materiality, and the Categories of Eighteenth-Century Collecting
Michael Yonan
8 Art and Nature: The Country House Sculpture Gallery in the Post-Napoleonic Period
Alison Yarrington
9 The Public Art Gallery as Arena for Modern Sculpture
Alex Potts
10 Displaying Deceit: Alceo Dossena’s Tomb of Maria Catharina Sabello at the Museum of Fine Arts, Boston
Andrew McClellan and Marietta Cambareri
11 The Legacy of William Valentiner in Shaping the Display and Collecting of European Sculpture in American Museums, 1900–Present: Case Studies
Alan Phipps Darr
Bibliography
Index
List of Illustrations
Contributors
Variety and Ambiguity: What Do We Mean by a “Sculpture Collection”?
Malcolm Baker
part 1: Sculpture in the Kunstkammer: Contexts, Formation, and Dispersal
1 Sculpture Collecting and the Kunstkammer
Thomas DaCosta Kaufmann
2 The Collecting of Small Bronze Sculptures in Late Renaissance Italy: The Canonici Collection
Jeremy Warren
3 Shifting Perceptions and Changing Frameworks: The Case of Francis van Bossuit and the Place of Small-Scale Sculpture in Ivory in the Sculpture Collection
Malcolm Baker
part 2: Garden Sculptures as Collections
4 Gentlemen Prefer Bronze: Garden Sculpture and Sculpture Gardens in Britain (1720–1860)
Julius Bryant
5 The Sculpture Gardens of Versailles, Marly, and Dresden: Magnificence and Its Limits
Betsy Rosasco
part 3: The Sculpture Gallery and Dedicated Spaces for Sculpture
6 The ‘Gallerie du S.r Girardon Sculpteur Ordinaire du Roy’
Anne-Lise Desmas
7 Porcelain as Sculpture: Medium, Materiality, and the Categories of Eighteenth-Century Collecting
Michael Yonan
8 Art and Nature: The Country House Sculpture Gallery in the Post-Napoleonic Period
Alison Yarrington
part 4: The Changing Place of Sculpture in the Public Museum
9 The Public Art Gallery as Arena for Modern Sculpture
Alex Potts
10 Displaying Deceit: Alceo Dossena’s Tomb of Maria Catharina Sabello at the Museum of Fine Arts, Boston
Andrew McClellan and Marietta Cambareri
11 The Legacy of William Valentiner in Shaping the Display and Collecting of European Sculpture in American Museums, 1900–Present: Case Studies
Alan Phipps Darr
Bibliography
Index
Notă biografică
Malcolm Baker, Distinguished Professor Emeritus of Art History, University of California, Riverside. As both a curator and a university teacher, he has written widely on the history of sculpture; his most recent book is The Marble Index. Roubiliac and Sculptural Portraiture in Eighteenth-Century Britain.
Inge Jackson Reist (Ph.D., Columbia University); Founding Director (now Emerita) of the Center for the History of Collecting, The Frick Collection. Reist’s edited and authored publications focus on Italian Renaissance and Baroque Art and the History of Art Collecting.
Inge Jackson Reist (Ph.D., Columbia University); Founding Director (now Emerita) of the Center for the History of Collecting, The Frick Collection. Reist’s edited and authored publications focus on Italian Renaissance and Baroque Art and the History of Art Collecting.