Sculpture Journal 20.1
Editat de Katharine Eustaceen Limba Engleză Paperback – 14 oct 2011
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Specificații
ISBN-13: 9781846316463
ISBN-10: 1846316464
Pagini: 105
Ilustrații: 50 halftones
Dimensiuni: 203 x 279 x 10 mm
Greutate: 0.43 kg
Ediția:New.
Editura: Liverpool University Press
Colecția Liverpool University Press
ISBN-10: 1846316464
Pagini: 105
Ilustrații: 50 halftones
Dimensiuni: 203 x 279 x 10 mm
Greutate: 0.43 kg
Ediția:New.
Editura: Liverpool University Press
Colecția Liverpool University Press
Notă biografică
Katharine Eustace is an art historian and curator whose publications include Continuity and Change: Twentieth-Century Sculpture in the Ashmolean Museum.
Cuprins
Editorial Note
Articles
The Goldmsmith’s altar in San Giacomo di Rialto: a documentary case study of Venetian trade guild patronage
Emma Jones
The contract for Domenico Guidi and Ercole Ferrata’s firedogs for the king of Spain
David Garc ía Cueto
Intrigue or insanity? The case of Franz Xaver Messerschmidt
Miriam Sz őcs
A monumental agreement: Lord Curzon, Bertram Mackennal and the Curzon Monument at Kedleston
Mark Stocker
Interview
Rooms with a view
Jon Wood in conversation with Tatzu Niscino
Tribute
Anthony Frank Radcliffe (1933 – 2011): a scholar-curator who transformed the study of Renaissance bronzes
Malcolm Baker
Reviews
Kingdom of Ife: Sculptures from West Africa, British Museum, London
Will Rea
Erika Naginski, Sculpture and Enlightenment
Alicia Robinson
Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed
Mark Stocker
Wild Thing: Epstein, Gaudier-Brzeska, Gill, Royal Academy of Arts, London
Evelyn Silber
The View from Here: Storm King at Fifty and 5+5: New Perspectives, Storm King Arts Center, Mountainville, NY
Tessa Murdoch
Joshua Shannon, The Disappearance of Objects: New York Art and the Rise of the Postmodern City
Jo Applin
Martin Creed, Down Over Up: Fruitmarket Gallery, Edinburgh
Dean Hughes
Notes on contributors
Articles
The Goldmsmith’s altar in San Giacomo di Rialto: a documentary case study of Venetian trade guild patronage
Emma Jones
The contract for Domenico Guidi and Ercole Ferrata’s firedogs for the king of Spain
David Garc ía Cueto
Intrigue or insanity? The case of Franz Xaver Messerschmidt
Miriam Sz őcs
A monumental agreement: Lord Curzon, Bertram Mackennal and the Curzon Monument at Kedleston
Mark Stocker
Interview
Rooms with a view
Jon Wood in conversation with Tatzu Niscino
Tribute
Anthony Frank Radcliffe (1933 – 2011): a scholar-curator who transformed the study of Renaissance bronzes
Malcolm Baker
Reviews
Kingdom of Ife: Sculptures from West Africa, British Museum, London
Will Rea
Erika Naginski, Sculpture and Enlightenment
Alicia Robinson
Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed
Mark Stocker
Wild Thing: Epstein, Gaudier-Brzeska, Gill, Royal Academy of Arts, London
Evelyn Silber
The View from Here: Storm King at Fifty and 5+5: New Perspectives, Storm King Arts Center, Mountainville, NY
Tessa Murdoch
Joshua Shannon, The Disappearance of Objects: New York Art and the Rise of the Postmodern City
Jo Applin
Martin Creed, Down Over Up: Fruitmarket Gallery, Edinburgh
Dean Hughes
Notes on contributors