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Sculpture Journal (Number 16, vol. 1)

Editat de Katharine Eustace
en Limba Engleză Paperback – 14 mai 2008
Britain’s foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of post-classical and contemporary Western sculpture. Recent highlights include essays by playwright David Hare on Eduardo Paolozzi, Christopher Bedford on Richard Serra, and Sarah Wilson on French sculptor Germaine Richier, alongside current exhibition news and book reviews. Academically focused but accessible, and richly illustrated throughout, Sculpture Journal is an insightful read for anyone interested in sculpture, whether researchers, enthusiasts, or collectors.
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Specificații

ISBN-13: 9781846310997
ISBN-10: 1846310997
Pagini: 144
Ilustrații: 80 halftones
Dimensiuni: 191 x 267 x 8 mm
Greutate: 0.41 kg
Editura: Liverpool University Press
Colecția Liverpool University Press

Notă biografică

Katharine Eustace is an art historian and curator whose publications include Continuity and Change: Twentieth-Century Sculpture in the Ashmolean Museum.

Cuprins

Articles
 
Edward Cheney of Badger Hall: a forgotten collector of Italian sculpture
Tim Knox
 
Alexander Archipenko's Flat Torso of 1914: a dematerialized sculpture
Seraphima Hoffmann
 
Africa awakening: Gilbert Ledward, Barclays Bank DCO and the end of empire
Iain S. Black
 
Rupert Gunnis and his Dictionary of British Sculptors
Adam White
 
"The best thing ever seen in New Zealand": the Henry Moore Exhibition of 1956-57
Mark Stocker
 
Pointings
 
The contract for Andrea Sansovino's Baptism of Christ for the Florentine Baptistery
Louis A. Waldman
 
Between civilization and barbarity: conflicting perceptions of the non-European world in William Theed's Africa, 1864-69
G. Alex Bremner
 
Ian Hamilton Finlay 1925-2006: sculpture as a fusion of poetry and place
Patrick Eyres
 
Reviews
 
Phillip Dennis Cate (ed.), Breaking the Mold: Sculpture in Paris from Daumier to Rodin
Ann Compton
 
Michelangelo Drawings: CLoser to hte Master, Teyler Museum, Haarlem, and British Museum, London
James Hall
 
Theo Bergenthal and Joachim Stracke (eds), Emil Cimiotti
Daniel Herrman
 
Imi Knoebel: Primary Structures, Henry Moore Institute, Leeds
Wouter Davidts
 
Brandon Taylor (ed.), Sculpture and Psychoanalysis
Michael Paraskos
 
Thomas Demand, Regen Projects, Los Angeles
Jennifer Wulffson
 
Notes on contributors