Selling Social Media: The Political Economy of Social Networking
Autor Dr. Daniel Falteseken Limba Engleză Hardback – 16 mai 2018
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Specificații
ISBN-13: 9781501319693
ISBN-10: 1501319698
Pagini: 240
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501319698
Pagini: 240
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.49 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Includes many examples of failure of firms that have gone before and the ways that their stories and sensibilities collapsed
Notă biografică
Daniel Faltesek is an assistant professor of social media at Oregon State University, USA. His research explores affective and aesthetic connections between regulation, finance, and social media.
Cuprins
1. Introduction: The Art of the S-12. Living in the Go-Go Nineties3. Romance and Revenue4. Seeing Wall Street as a Server5. Steel Mills, Disk Drives, and Hackathons6. In Defense of Patent Trolls? 7. The Culture Industry RevisitedBibliographyIndex
Recenzii
Selling Social Media offers an important critical, cultural approach to studying the business of social media. By analyzing the discourses social media companies use to talk about themselves, Faltesek tells the story of how platforms are sold to publics, markets, and governments. Faltesek deftly examines the tensions between social media discourses disrupting media industry processes of the past while advancing a "suspiciously old new economy."
This is a timely intervention into how social media companies theorize their own business practices to convince disparate audiences - users, investors, and lawmakers, amongst others - of the platforms' enduring value. By treating corporate communications, business plans, and related ephemera as serious objects of analysis, Faltesek calls attention to an understudied site of meaning making in the act of 'selling social media.'
This is a timely intervention into how social media companies theorize their own business practices to convince disparate audiences - users, investors, and lawmakers, amongst others - of the platforms' enduring value. By treating corporate communications, business plans, and related ephemera as serious objects of analysis, Faltesek calls attention to an understudied site of meaning making in the act of 'selling social media.'