Selves and Subjectivities: Reflections on Canadian Arts and Culture
Editat de Manijeh Mannanien Limba Engleză Paperback – 14 noi 2012
As critic Diana Brydon has argued, contemporary Canadian writers are “not transcending nation but resituating it.” Drawing together themes of gender and sexuality, trauma and displacement, performativity, and linguistic diversity, Selves and Subjectivities offers an exciting new contribution to the multivocal dialogue surrounding the Canadian sense of identity.
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Specificații
ISBN-13: 9781926836492
ISBN-10: 1926836499
Pagini: 276
Dimensiuni: 188 x 215 x 18 mm
Greutate: 0.36 kg
Ediția:New.
Editura: University of British Columbia Press
Colecția Athabasca University Press
ISBN-10: 1926836499
Pagini: 276
Dimensiuni: 188 x 215 x 18 mm
Greutate: 0.36 kg
Ediția:New.
Editura: University of British Columbia Press
Colecția Athabasca University Press
Cuprins
Introduction 1 / Manijeh Mannani and Veronica Thompson
A Semiotic Reading of Hédi Bouraoui’s The Woman Between the Lines 13 / Elizabeth Dahab
Mourning Lost “Others” in Ronnie Burkett’s Happy 39 / Janne Cleveland
Putting an End to Recycled Violence in Colleen Wagner’s The Monument 69 / Gilbert McInnis
Representations of the Self and the Other in Canadian Intercultural Theatre 95 / Anne Nothof
Pulling Her Self Together: Daphne Marlatt’s Ana Historic 115 / Veronica Thompson
“New, Angular Possibilities”: Redefining Ethnicity Through Transcultural Exchanges in Marusya Bociurkiw’s The Children of Mary 151 / Dana Patrascu-Kingsley
The Elegiac Loss of the English- Canadian Self and the End of the Romantic Identification with the Aboriginal Other in Leonard Cohen’s Beautiful Losers 175 / Jesse Rae Archibald-Barber
Playing the Role of the Tribe: The Aesthetics of Appropriation in Canadian Aboriginal Hip Hop 207 / Thor Polukoshko
Toward a Theory of the Dubject: Doubling and Spacing the Self in Canadian Media Culture 235 / Mark A. McCutcheon
List of Contributors 265
A Semiotic Reading of Hédi Bouraoui’s The Woman Between the Lines 13 / Elizabeth Dahab
Mourning Lost “Others” in Ronnie Burkett’s Happy 39 / Janne Cleveland
Putting an End to Recycled Violence in Colleen Wagner’s The Monument 69 / Gilbert McInnis
Representations of the Self and the Other in Canadian Intercultural Theatre 95 / Anne Nothof
Pulling Her Self Together: Daphne Marlatt’s Ana Historic 115 / Veronica Thompson
“New, Angular Possibilities”: Redefining Ethnicity Through Transcultural Exchanges in Marusya Bociurkiw’s The Children of Mary 151 / Dana Patrascu-Kingsley
The Elegiac Loss of the English- Canadian Self and the End of the Romantic Identification with the Aboriginal Other in Leonard Cohen’s Beautiful Losers 175 / Jesse Rae Archibald-Barber
Playing the Role of the Tribe: The Aesthetics of Appropriation in Canadian Aboriginal Hip Hop 207 / Thor Polukoshko
Toward a Theory of the Dubject: Doubling and Spacing the Self in Canadian Media Culture 235 / Mark A. McCutcheon
List of Contributors 265