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Sex, Gender, and Sexualities in Edward Albee's Plays: New Perspectives in Edward Albee Studies, cartea 2

John M. Clum, Cormac O'Brien
en Limba Engleză Hardback – 21 mar 2018
Sex, Gender, and Sexualities in the Plays of Edward Albee contains a general introduction and eleven essays by American and European Albee scholars on Albee’s depictions of gender relations, sexual relations, monogamy, child-rearing, and homosexuality. The volume includes close readings of individual plays and more general theoretical and historical discussions.

Contributors: Henry Albright, Mary Ann Barfield, Araceli Gonzalez Crespan, Andrew Darr, John M. Clum, Paul Grant, Emeline Jouve, T. Ross Leasure, David Marcia, Cormac O’Brien, Donald Pease, Valentine Vasak
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Specificații

ISBN-13: 9789004358362
ISBN-10: 9004358366
Dimensiuni: 155 x 235 mm
Greutate: 0.41 kg
Editura: Brill
Colecția Brill
Seria New Perspectives in Edward Albee Studies


Cuprins

Notes on ContributorsEditors’ IntroductionJohn M. Clum and Cormac O’Brien1 Dismembering/Remembering: Dramatizing the Family in The American DreamEmeline Jouve2 The Gay Geography of New York City in The Zoo Story T. Ross Leasure3 Revisiting the Zoo: Time and Gender in Edward Albee’s At Home at the Zoo Andrew Darr4 “The Aims of Spirit”: Performing Marriage in Albee’s Plays David Marcia5 Collateral Damage: Raising and Destroying [Gay?] Sons in Albee’s Plays John M. Clum6 A Body of One’s Own: Martha’s Performative Physicality in Who’s Afraid of Virginia Woolf? Mary Ann Barfield7 The Uncrossable Line: Reading Martha as Transgender in Who’s Afraid of Virginia Woolf? Henry Albright8 The Tragic (Male) Hero in the Wake of the New Millennium: Upturning Gender and Sexuality in The Goat, or Who Is Sylvia? Araceli González Crespán9 “Do you want it?” The Commodification of Sexuality in the Late Plays of Edward Albee Valentine Vasak10 Malcolm, Sexual Politics, Edward Albee’s Adaptations Donald E. Pease11 “A wet run, so to speak”: Sexuality in Edward Albee’s Lolita Paul Benedict GrantBibliography Index

Notă biografică

John M. Clum is Professor Emeritus of Theater Studies and English at Duke University. His nine books include Acting Gay: Male Homosexuality in Modern Drama, Something for the Boys: Musical Theater and Gay Culture and, most recently, Terrence McNally and American Gay Drama, 1965-2015. He is also a playwright and opera librettist.

Cormac O’Brien, Assistant Professor of Anglo-Irish Drama at University College Dublin, is a specialist in modern and contemporary Irish drama and in Medical Humanities. He has published widely on masculinities and queer sexualities in Irish theatre, as well as on HIV and AIDS in Irish culture and performance. He is the author of Masculinities and Manhood in Contemporary Irish Drama: Acting the Man (2018).