Sgt. Fury Epic Collection: Berlin Breakout

Ready yourself for all-out action against the Axis powers in the Mighty Marvel manner! Nick Fury and the Howling Commandos embark on exciting World War II adventures -- including a mission to protect the Manhattan Project and the atom bomb against Nazi spies and saboteurs, uprooting an undercover agent who is none other than the Red Skull, confronting a traitor in their own ranks, and going mano a mano with Baron Strucker in war-torn France!

And that's just for starters! This volume also features the origin of Nick Fury's eyepatch, Dum Dum Dugan going it alone behind enemy lines, and the story that spurred the concept for the film Inglorious Basterds! Topping it off, we're including a rare Nick Fury adventure from the Korean War -- and the story of Fury's promotion from sergeant to second lieutenant! Collecting SGT. FURY #20-36 and ANNUAL #1-2.

Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.

Richard Bache Ayers was an American comic book artist and cartoonist best known for his work as one of Jack Kirby's inkers during the late-1950s and 1960s, including on some of the earliest issues of Marvel Comics' The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s.