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Shakespeare and Visual Culture: Arden Shakespeare Dictionaries

Autor Dr Armelle Sabatier
en Limba Engleză Hardback – 16 noi 2016
Statues coming to life and lively portraits ready to breathe in Shakespeare? This new volume re-assesses the key role played by visual culture in his drama and poetry by providing readers with an up-to-date guide to the main publications on the subject as well as offering a synthesis on the main literary and historical sources for inspiration. While scrutinising the complex issue of image on an Elizabethan stage and exploring the codification of colours in Shakespeare's poetry, this dictionary highlights the fierce rivalry between the poet, the dramatist and the visual artist. This volume will be of great interest and value to students of Shakespeare, students of art history or anyone working on the interdisciplinary subject of literature and art.
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Specificații

ISBN-13: 9781472568052
ISBN-10: 1472568052
Pagini: 312
Ilustrații: 10 bw illus
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare Dictionaries

Locul publicării:London, United Kingdom

Caracteristici

Part of an established and admired reference collection of dictionaries, formerly Continuum Shakespeare Dictionaries.

Notă biografică

Armelle Sabatier lectures at Paris II University, France.

Cuprins

IntroductionA-Z entriesBibliographyIndex

Recenzii

An essential tool . Thoroughness, conciseness, and even-handedness characterize Sabatier's introduction as well as her individual entries. The 6000-word introduction . is in my opinion the best place for anyone new to visual Shakespeare studies to get the lay of the land.
This dictionary explores the meaning and historical and social background of references found in works by Shakespeare to the visual arts and vision, termed "visual culture." Explaining that visual culture is today a diversified field of interdisciplinary study, Sabatier (Paris II Univ., France) asserts that Elizabethans' visual experience and material culture shared a much closer relationship with literature, employing as interpretive means rhetoric, prosody, illusionistic art, and connotative meaning. The author's introduction surveys the changing conception of visual culture among contemporary art historians and literature theorists, clarifying the complexities of the term . The dictionary's alphabetically organized headwords, featuring plentiful see also and cross-references, offer a lengthy, systematical, three-part discussion (labelled A, B, and C) covering the term's general definition, spelling variants, textual contexts, and etymology; its usage and evolution in the Shakespeare corpus; and later interpretations. Lists of the headwords, abbreviations, figures (including some black-and-white illustrations), and a comprehensive bibliography and index further enhance this illuminating study, suitable for advanced scholars. Summing Up: Recommended.
[The book] is aimed squarely at the academic market and would prove especially helpful to undergraduates getting a handle on this subject. Extremely useful is the exhaustive bibliography, which will prove invaluable to scholars of this subject.
Shakespeare and Visual Culture: A Dictionary is a highly specialized reference work that will be welcomed by serious researchers ranging from undergraduate English Literature majors to advanced Shakespeare scholars. The Dictionary is steeped in informed and up-to-date scholarship and is logically designed to provide the most relevant information in a straightforward, easy to access fashion.