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Shakespeare’s Italy and Italy’s Shakespeare: Place, "Race," Politics de Shaul Bassi

Shakespeare’s Italy and Italy’s Shakespeare: Place, "Race," Politics: Reproducing Shakespeare

Autor Shaul Bassi
en Limba Engleză Hardback – 13 mai 2016
Shaul Bassi is AssociateProfessor of English and Postcolonial Literature at Ca'Foscari University ofVenice, Italy. His publications include Visionsof Venice in Shakespeare, with Laura Tosi, and Experiences of Freedom in Postcolonial Literatures and Cultures, with Annalisa Oboe. 
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Specificații

ISBN-13: 9781137502858
ISBN-10: 1137502851
Pagini: 221
Ilustrații: XI, 231 p. 4 illus., 2 illus. in color.
Dimensiuni: 148 x 210 x 19 mm
Greutate: 0.42 kg
Ediția:1st ed. 2016
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Reproducing Shakespeare

Locul publicării:New York, United States

Cuprins

Introduction: Country Dispositions.- Part I. "Race".- 1. Iago's Race, Shakespeare's Ethnicities.- Slav-ing Othello.- Shakespeare, Nation, and Race in Fascist Italy.- Part II. Politics.- Neocon and Theoprog: The New Machiavellian Moment.- Infinite Minds: Shakespeare and Giordano Bruno Revisited.- Hamlet in Venice.- Part III. Place.- The Grave and the Ghetto: Shakespearean Places as Adaptations.- Fixed Figures: the Other Moors of Venice.- The Prison-House of Italy: Caesar Must Die.

Notă biografică

Shaul Bassi is Associate Professor of English and postcolonial literature at Ca'Foscari University of Venice, Italy. His publications include Visions of Venice in Shakespeare (with Laura Tosi) and Experiences of Freedom in Postcolonial Literatures and Cultures (with Annalisa Oboe).

Textul de pe ultima copertă

Shakespeare’s Italy and Italy’s Shakespeare revisits a classical topic from a new perspective, focusing on Shakespeare’s afterlife in Italy through the lens of place, “race,” and politics. From discussions of a Victorian racialist interpretation of Shakespeare that casts Iago as the archetypal Italian specimen to Fascist appropriations of Shakespeare to Paolo and Vittorio Taviani’s film Caesar Must Die, Shaul Bassi interrogates how Italy explains Shakespeare and how Shakespeare explains Italy. These peripheral events both illuminate singular potentialities of the plays and turn Shakespeare into a special guide to Italy’s ethos and political unconscious.