Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance: Arden Shakespeare Intersections
Editat de Dr Claire M. L. Bourneen Limba Engleză Paperback – 5 apr 2023
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Specificații
ISBN-13: 9781350344556
ISBN-10: 1350344559
Pagini: 464
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 x 30 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare Intersections
Locul publicării:London, United Kingdom
ISBN-10: 1350344559
Pagini: 464
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 x 30 mm
Greutate: 0.7 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare Intersections
Locul publicării:London, United Kingdom
Caracteristici
Offers a set of fresh methods for approaching 'the text' that establish new agendas for book history, bibliography, textual criticism, editing, literary criticism, pedagogy, and rare book cataloguing, both within Shakespeare studies and beyond it
Notă biografică
Claire M. L. Bourne is Associate Professor of English at the Pennsylvania State University, USA. Her teaching and research focus on early modern drama, book history, textual editing, and theatre studies. She is the author of Typographies of Performance in Early Modern England (2020) and has published extensively on book design and the history of reading. She is editing Henry VI, Part 1, for the Arden Shakespeare Fourth Series, and is collaborating with Jason Scott- Warren (University of Cambridge) on a series of projects related to the Free Library of Philadelphia's copy of the Shakespeare First Folio annotated by John Milton.
Cuprins
INTRODUCTION SHAKESPEARE / TEXT by Claire M. L. Bourne I INCLUSIVE / EXCLUSIVE 1. FAIR / FOUL by B. K. Adams (Arizona State University, USA)2. TEXT / PARATEXT by Hannah August (Massey University, New Zealand)3. PUBLIC / PRIVATE by Elizabeth Zeman Kolkovich (Ohio State University, USA)4. EDITION / TRANSLATION by Régis Augustus Bars Closel (Universidade Federal de Santa Maria, Brazil)5. CANON / APOCRYPHA by Aleida Auld (University of Geneva, Switzerland) II BEFORE / AFTER 6. NOW / THEN by Andy Kesson (University of Roehampton, UK)7. MISCELLANY / SEQUENCE by Megan Heffernan (DePaul University, USA)8. ORIGINAL / COPY by Dianne Mitchell (University of Colorado, Boulder, USA)9. SOURCE / ADAPTATION by Sujata Iyengar (University of Georgia, USA)10. LIFE / AFTERLIFE by Margaret Jane Kidnie (University of Western Ontario, Canada) III AUTHORIZED / UNAUTHORIZED 11. BOOK / THEATRE by Holger Schott Syme (University of Toronto, Canada)12. TEXT-BASED / CONCEPT-DRIVEN by Katherine Steele Brokaw (University of California, Merced, USA)13. SENSE / NONSENSE by Rebecca L. Fall (Independent Scholar, USA)14. FACT / FICTION by Adam G. Hooks (University of Iowa, USA)15. PART / WHOLE by Paul Salzman (La Trobe University, Australia) IV PRESENT / ABSENT 16. BLACK / WHITE by Miles P. Grier (Queens College, City University of New York, USA)17. EXTANT / EPHEMERAL by Scott A. Trudell (University of Maryland, USA)18. LOST / FOUND by Misha Teramura (University of Toronto, Canada)19. PAPER / INK by Emma Depledge (University of Neuchâtel, Switzerland)20. MATERIAL / DIGITAL by Zachary Lesser & Whitney Trettien (University of Pennsylvania, USA)Bibliography Index