Shaping Belief – Culture, Politics, and Religion in Nineteenth–Century Writing
Autor Victoria Morgan, Clare Williamsen Limba Engleză Hardback – 31 mai 2008
Nineteenth-century writing possesses a powerful diversity of voices that makes the period as distinctive to us today as it was in the day of Wordsworth, Tolstoy, Dickinson, Chekov, and Poe. The wide variety of ways in which different beliefs and voices could be heard, as well as the equally varying and competing versions of unity that underpinned the period’s belief systems all coalesced to form a tension vital to the writing of the period. In Shaping Belief, a wide range of innovative critical essays, situated within contemporary theoretical debates, explore how the energy of belief came to manifest itself in order to rethink the place of belief in nineteenth-century writing, while providing an important foray into both current thinking on literary studies of this period and contemporary culture as well.
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Specificații
ISBN-13: 9781846311369
ISBN-10: 1846311365
Pagini: 256
Dimensiuni: 167 x 238 x 21 mm
Greutate: 0.54 kg
Editura: Liverpool University Press
ISBN-10: 1846311365
Pagini: 256
Dimensiuni: 167 x 238 x 21 mm
Greutate: 0.54 kg
Editura: Liverpool University Press
Notă biografică
Victoria Morgan and Clare Williams both teach at the University of Liverpool. Victoria Morgan and Clare Williams both teach at the University of Liverpool.
Cuprins
List of Illustrations
Acknowledgements
Allegiance: A Sermon
Rowan Williams, Archbishop of Canterbury
Introduction: Re-visioning Belief in Nineteenth-Century Writing
Victoria Morgan and Clare Williams
I. Religious Discourse: Transmission and Appropriation
1. Tell the Story: Re-imagining Victorian Conversion Narratives
Andrew Tate
2. ‘Recognizing Fellow-Creatures’: F.D. Maurice, Octavia Hill, Josephine Butler
Hester Jones
3. ‘Filthy Lucre’: Christianity, Commerce and the Female Bodily Economy in Seamstress Narratives of the 1840s
Ella Dzelzainis
4. Isaiah and Ezekiel— But What about Charley? An Essay on ‘Wanting to Believe’
Philip Davis
II. Shaping Subjectivities: Belief, Aesthetics and Space
5. ‘Repairing Everywhere without Design’? Industry, Revery and Religion in Emily Dickinson’s Bee Imagery
Victoria Morgan
6. Poetry, Poetic Perception and Emerson’s Spiritual Affirmations
David M. Robinson
7. Sacrificial Exchange and the Gothic Double in Melmoth the Wanderer and The Picture of Dorian Gray
Alison Milbank
8. Church Architecture, Tractarian Poetry and the Forms of Faith
Kirstie Blair
III. Mediating Culture: Inscribing Democracy, Class and Social Identity
9. Caricature and Social Change 1820-1840: The March of Intellect Revisited
Brian Maidment
10. Feeling ‘Ghostlike’: Carlyle and his Exposure to the ‘Condition-of-England-Question’
Clare Williams
11. ‘Getting Down into the Masses’: Dickens, Journalism and the Personal Mode
Juliet John
12. ‘Scrupulously Empty Phrases’ and the Silent Work of Matthew Arnold: Belief in the Action of Writing
Kate Campbell
Acknowledgements
Allegiance: A Sermon
Rowan Williams, Archbishop of Canterbury
Introduction: Re-visioning Belief in Nineteenth-Century Writing
Victoria Morgan and Clare Williams
I. Religious Discourse: Transmission and Appropriation
1. Tell the Story: Re-imagining Victorian Conversion Narratives
Andrew Tate
2. ‘Recognizing Fellow-Creatures’: F.D. Maurice, Octavia Hill, Josephine Butler
Hester Jones
3. ‘Filthy Lucre’: Christianity, Commerce and the Female Bodily Economy in Seamstress Narratives of the 1840s
Ella Dzelzainis
4. Isaiah and Ezekiel— But What about Charley? An Essay on ‘Wanting to Believe’
Philip Davis
II. Shaping Subjectivities: Belief, Aesthetics and Space
5. ‘Repairing Everywhere without Design’? Industry, Revery and Religion in Emily Dickinson’s Bee Imagery
Victoria Morgan
6. Poetry, Poetic Perception and Emerson’s Spiritual Affirmations
David M. Robinson
7. Sacrificial Exchange and the Gothic Double in Melmoth the Wanderer and The Picture of Dorian Gray
Alison Milbank
8. Church Architecture, Tractarian Poetry and the Forms of Faith
Kirstie Blair
III. Mediating Culture: Inscribing Democracy, Class and Social Identity
9. Caricature and Social Change 1820-1840: The March of Intellect Revisited
Brian Maidment
10. Feeling ‘Ghostlike’: Carlyle and his Exposure to the ‘Condition-of-England-Question’
Clare Williams
11. ‘Getting Down into the Masses’: Dickens, Journalism and the Personal Mode
Juliet John
12. ‘Scrupulously Empty Phrases’ and the Silent Work of Matthew Arnold: Belief in the Action of Writing
Kate Campbell
Index