Sherko Bekas: A Kurdish Voice under the Lens of Critical Stylistics
Autor Ulrike Tabbert, Mahmood K. Ibrahimen Limba Engleză Hardback – 14 iun 2023
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Specificații
ISBN-13: 9783031306013
ISBN-10: 3031306015
Pagini: 93
Ilustrații: IX, 93 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.28 kg
Ediția:1st ed. 2023
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3031306015
Pagini: 93
Ilustrații: IX, 93 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.28 kg
Ediția:1st ed. 2023
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction.- 2. Sherko Bekas.- 3. Introduction to Critical Stylistics and Analysis of The Martyrs' Wedding.- 4. Critical Stylistic Analysis of Bloody Crown by Sherko Bekas.- 5. A Critical Stylistic Analysis of Both Poems in Sorani.
Notă biografică
Ulrike Tabbert is a Senior Public Prosecutor (Oberamtsanwältin) at a German prosecution office and a Visiting Research Fellow at the University of Huddersfield, UK. She holds a PhD in linguistics from Huddersfield and researches the construction of crime, criminals and victims across a variety of text types. Among other publications, she is the author of two monographs, Crime and Corpus (2015) and Language and Crime (2016, Palgrave Macmillan) as well as co-editor of The Linguistics of Crime (2022).
Mahmood K. Ibrahim (known as Mahmood Baban) is Professor of Linguistics at Imam Ja’afar Al-Sadiq University in Iraq and director and supervisor of the language courses at Kirkuk Institute. He completed his PhD in English Language and Literature at the University of Huddersfield, UK, in 2018.
Mahmood K. Ibrahim (known as Mahmood Baban) is Professor of Linguistics at Imam Ja’afar Al-Sadiq University in Iraq and director and supervisor of the language courses at Kirkuk Institute. He completed his PhD in English Language and Literature at the University of Huddersfield, UK, in 2018.
Textul de pe ultima copertă
“This book is dedicated to the style of the Kurdish poet [Sherko Bekas], a marvelous, fabulous work and relies on all literary genres. Sherko Bekasi's works and poems have been analyzed in a scientific manner and deserve to be relied upon as a dependable source in the Kurdish department in higher education as well as in secondary schools. We testify to this and confirm that the authors of the work have worked hard and delivered a thorough and detailed analysis and they are thanked and commended.”
—Professor Dr. Sabah Musa Ali, Kurdish Language Department, College of Education, Kirkuk University, Iraq
Ulrike Tabbert is a Senior Public Prosecutor (Oberamtsanwältin) at a German prosecution office and a Visiting Research Fellow at the University of Huddersfield, UK. She holds a PhD in linguistics from Huddersfield and researches the construction of crime, criminals and victims across a variety of text types. Among other publications, she is the author of two monographs, Crime and Corpus (2015) and Language and Crime (2016, Palgrave Macmillan) as well as co-editor of The Linguistics of Crime (2022).Mahmood K. Ibrahim (known as Mahmood Baban) is Professor of Linguistics at Imam Ja’afar Al-Sadiq University in Iraq and director and supervisor of the language courses at Kirkuk Institute. He completed his PhD in English Language and Literature at the University of Huddersfield, UK, in 2018.
Caracteristici
Brings undervalued Kurdish poetry into focus and makes Bekas' work known in a Western academic context Contributes to the topic of translation studies, particularly from Kurdish (Sorani) to English Touches on minority issues of the Kurds in Iraq as well as on the topic of identity and oppression