Six Plays
Autor Mickle Maher Loren Krugeren Limba Engleză Paperback – 11 apr 2022
Preț: 104.50 lei
Nou
Puncte Express: 157
Preț estimativ în valută:
19.100€ • 21.10$ • 16.67£
19.100€ • 21.10$ • 16.67£
Carte disponibilă
Livrare economică 12-26 decembrie
Livrare express 28 noiembrie-04 decembrie pentru 32.39 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781572843103
ISBN-10: 1572843101
Pagini: 264
Dimensiuni: 152 x 229 x 30 mm
Greutate: 0.54 kg
Editura: Agate Publishing
ISBN-10: 1572843101
Pagini: 264
Dimensiuni: 152 x 229 x 30 mm
Greutate: 0.54 kg
Editura: Agate Publishing
Cuprins
INTRODUCTION/PREFACE
1. AN APOLOGY FOR THE COURSE AND OUTCOME OF CERTAIN EVENTS
2. DELIVERED BY DOCTOR JOHN FAUSTUS ON THIS HIS FINAL EVENING
3. THE HUNCHBACK VARIATIONS
4. SPIRITS TO ENFORCE
5. THERE IS A HAPPINESS THAT MORNING IS
6. SONG ABOUT HIMSELF
7. IT IS MAGIC
ABOUT THE AUTHOR
1. AN APOLOGY FOR THE COURSE AND OUTCOME OF CERTAIN EVENTS
2. DELIVERED BY DOCTOR JOHN FAUSTUS ON THIS HIS FINAL EVENING
3. THE HUNCHBACK VARIATIONS
4. SPIRITS TO ENFORCE
5. THERE IS A HAPPINESS THAT MORNING IS
6. SONG ABOUT HIMSELF
7. IT IS MAGIC
ABOUT THE AUTHOR
Notă biografică
Mickle Maher is a co-founder of Chicago's Theater Oobleck, with whom he has produced plays for more than thirty years. He lectures on playwriting at the University of Chicago, and lives with his wife and son in Evanston, IL.
Loren Kruger is Professor of Comparative and English Literature, and Theatre and Performance Studies at the University of Chicago, and has been watching Mickle Maher’s plays since 1988. She is the author of several books, most recently A Century of South African Theatre (Bloomsbury), Imagining the Edgy City (Oxford University Press), and the award-winning Post-Imperial Brecht (Cambridge University Press), and her articles on theatre in Chicago and elsewhere have appeared in many publications, including Critical Stages, The Drama Review, Theater, Theater der Zeit, Theatre Research International, and Theatre Journal.
Loren Kruger is Professor of Comparative and English Literature, and Theatre and Performance Studies at the University of Chicago, and has been watching Mickle Maher’s plays since 1988. She is the author of several books, most recently A Century of South African Theatre (Bloomsbury), Imagining the Edgy City (Oxford University Press), and the award-winning Post-Imperial Brecht (Cambridge University Press), and her articles on theatre in Chicago and elsewhere have appeared in many publications, including Critical Stages, The Drama Review, Theater, Theater der Zeit, Theatre Research International, and Theatre Journal.