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Songs of the Royal Zhōu and the Royal Shào: Shī 詩 of the Ānhuī University Manuscripts: Ancient Languages and Civilizations, cartea 2

Autor Dirk Meyer, Adam Craig Schwartz
en Limba Engleză Hardback – 27 apr 2022
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period.
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Specificații

ISBN-13: 9789004508231
ISBN-10: 9004508236
Pagini: 280
Dimensiuni: 155 x 235 mm
Greutate: 0.48 kg
Editura: Brill
Colecția Brill
Seria Ancient Languages and Civilizations


Notă biografică

Dirk Meyer, Ph.D. (2008), Leiden University, is Associate Professor of Chinese Philosophy and Fellow of The Queen’s College, University of Oxford. He is the author of Philosophy on Bamboo (Brill 2012), Documentation and Argument in Early China (De Gruyter 2021), and co-editor of Literary Forms of Argument in Early China (Brill 2015, with Joachim Gentz) and Origins of Chinese Political Philosophy (Brill 2017, with Martin Kern).

Adam Craig Schwartz, Ph.D. (2013), University of Chicago, is Associate Director of the Jao Tsung-i Academy of Sinology and Assistant Professor in the Department of Chinese Language and Literature, Hong Kong Baptist University. He is the author of The Oracle Bone Inscriptions from Huayuanzhuang East (De Gruyter 2019).

Cuprins

Introduction
1The Ān Dà Shī
2Attempting an ‘Emic’ Reading of the Ān Dà Shī
3Writing the Image Programme of the Songs
4Bringing to Life the Sound Moulds of Shī Production
5Sounding the Image Programme of the Songs
6Receiving the Shī
7The Significance of the Royal Zhōu and the Royal Shào
8What Does ‘Nán’ Mean?
9The Significance of the Ān Dà Shī
10The Songs of the Royal Zhōu and the Royal Shào: Conventions

Songs of the Royal Zhōu and the Royal Shào



Songs of the Royal Zhōu
1List of Songs
2Zhōu Nán 1 周南一
3Zhōu Nán 2 周南二
4Zhōu Nán 3 周南三
5Zhōu Nán 4 周南四
6Zhōu Nán 5 周南五
7Zhōu Nán 6 周南六
8Zhōu Nán 7 周南七
9Zhōu Nán 8 周南八
10Zhōu Nán 9A 周南九
11Zhōu Nán 9B 周南九
12Zhōu Nán 11 周南十一

Songs of the Royal Shào
1List of Songs
2Shào Nán 1召南一
3Shào Nán 2召南二
4Shào Nán 3召南三
5Shào Nán 4召南四
6Shào Nán 5召南五
7Shào Nán 6召南六
8Shào Nán 7召南七
9Shào Nán 8召南八
10Shào Nán 9 召南九
11Shào Nán 10召南十
12Shào Nán 11召南十一
13Shào Nán 12召南十二
14Shào Nán 13召南十三
15Shào Nán 14召南十四

Bibliography
Index