Sonic Signatures: Music, Migration and the City at Night: Urban Music Studies
Editat de Derek Pardue, Ailbhe Kenny, Katie Youngen Limba Engleză Paperback – 4 iul 2023
Sonic Signatures interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
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Specificații
ISBN-13: 9781789386998
ISBN-10: 1789386993
Pagini: 232
Ilustrații: 49 halftones
Dimensiuni: 170 x 244 x 10 mm
Greutate: 0.4 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria Urban Music Studies
ISBN-10: 1789386993
Pagini: 232
Ilustrații: 49 halftones
Dimensiuni: 170 x 244 x 10 mm
Greutate: 0.4 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Seria Urban Music Studies
Notă biografică
Derek Pardue is associate professor of Brazilian studies within the Global Studies Department at Aarhus University in Denmark. He is the author of Cape Verde Let’s Go: Creole Rappers and Citizenship in Portugal. Ailbhe Kenny is a senior lecturer in music education at Mary Immaculate College University of Limerick. She is the author of Communities of Musical Practice and coeditor of Musician-Teacher Collaborations: Altering the Chord. Katie Young is a postdoctoral research fellow at Brock University, Canada.
Cuprins
Chapter 1: Sensorial Belonging and Urban Migration: An Introduction to Sonic Signatures
Derek Pardue
Collaboration
Chapter 2: Music, Memory, and Migration at Night: Relational Ways of Knowing Through Arts-Based Collaborations
Katie Young and Ailbhe Kenny
Chapter 3: Resonating restrictions: Dreaming with EDM ‘in-between’ Casablanca and Montreal
Jillian Fulton-Melanson
Interlude 1: How “Free” is the Free Africa Festival?
Willians Santos and Derek Pardue
Street Sounds
Chapter 4: Nocturnal Polyphony: Mobile music-making as urban composition
Nick Dunn
Interlude 2: Tokyo After Hours
Nick Prior
Historicity
Chapter 5: Manolo D’Aro Post-Mortem – The Eternal and the Futurible in the Musical Landscapes of Francoist Experiential Capitalism
Pol Esteve
Chapter 6: Dancing down memory lane: (re)experiences of Cape Verdean nightlife in Rotterdam
Seger Kersbergen
Interlude 3: Karingido: Vigilante Tricksters and Feedback-Loop Approaches to a Liberation Struggle
Masimba Hwati and Austin T. Richie
Belonging
Chapter 7: Lisbon under construction: The nocturnal stylings of batida do gueto
Jacqueline Georgis
Chapter 8: (Be)Longing: Irish Musicking and Place-Making in Oslo, Norway
Áine Mangaoang
Interlude 4: A Praise Poem for the Diaspora
Brendan Kibbee
Discord
Chapter 9: Urban outcasts and the defiant iSicathamiya music
Sipho Sithole
Chapter 10: Rooms for resistance: migrants and social markers of difference in Berlin queer underground electronic music scene
Gibran Teixeira Braga
Interlude 5: Sounding in, Sounding out: Remembrance and Resistance at the Border
Emilie Amrein and André de Quadros
Derek Pardue
Collaboration
Chapter 2: Music, Memory, and Migration at Night: Relational Ways of Knowing Through Arts-Based Collaborations
Katie Young and Ailbhe Kenny
Chapter 3: Resonating restrictions: Dreaming with EDM ‘in-between’ Casablanca and Montreal
Jillian Fulton-Melanson
Interlude 1: How “Free” is the Free Africa Festival?
Willians Santos and Derek Pardue
Street Sounds
Chapter 4: Nocturnal Polyphony: Mobile music-making as urban composition
Nick Dunn
Interlude 2: Tokyo After Hours
Nick Prior
Historicity
Chapter 5: Manolo D’Aro Post-Mortem – The Eternal and the Futurible in the Musical Landscapes of Francoist Experiential Capitalism
Pol Esteve
Chapter 6: Dancing down memory lane: (re)experiences of Cape Verdean nightlife in Rotterdam
Seger Kersbergen
Interlude 3: Karingido: Vigilante Tricksters and Feedback-Loop Approaches to a Liberation Struggle
Masimba Hwati and Austin T. Richie
Belonging
Chapter 7: Lisbon under construction: The nocturnal stylings of batida do gueto
Jacqueline Georgis
Chapter 8: (Be)Longing: Irish Musicking and Place-Making in Oslo, Norway
Áine Mangaoang
Interlude 4: A Praise Poem for the Diaspora
Brendan Kibbee
Discord
Chapter 9: Urban outcasts and the defiant iSicathamiya music
Sipho Sithole
Chapter 10: Rooms for resistance: migrants and social markers of difference in Berlin queer underground electronic music scene
Gibran Teixeira Braga
Interlude 5: Sounding in, Sounding out: Remembrance and Resistance at the Border
Emilie Amrein and André de Quadros
Recenzii
"Sonic Signatures is a compelling and multifaceted exploration of what urban soundscapes at night mean for migrants. Edited by Derek Pardue, Ailbhe Kenny, and Katie Young, the collection distinguishes itself from previous literature on cities and night time through its unique points of view and articulations as well as its innovative approaches and analyses to investigating the multisensorial aspects of darkness."
"The plural histories documented in Sonic Signatures are instructive, particularly when read in relation to other theories of cultural production, the construction of difference, sociality, and auditory communities. The volume’s focus on migratory flux and cross-pollination models a scholarly approach that is both deeply historically and culturally specific, but also takes into account change and the ongoing multiple directionalities of communication and influence, particularly vis-à-vis various forms of media. Modalities of music-making, reception, and circulation are always feeding back into one another, and across social, cultural, and linguistic borders. ‘We want the aural imaginary and it wants us’, Kheshti wrote over a decade ago; the essays in Sonic Signatures testify to that desire."