Soundtrack Available – Essays on Film and Popular Music
Autor Arthur Knight, Pamela Robertso Wojciken Limba Engleză Paperback – 2 dec 2001
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Specificații
ISBN-13: 9780822327974
ISBN-10: 082232797X
Pagini: 504
Ilustrații: 36 b&w photographs
Dimensiuni: 159 x 232 x 33 mm
Greutate: 0.76 kg
Editura: MD – Duke University Press
Locul publicării:United States
ISBN-10: 082232797X
Pagini: 504
Ilustrații: 36 b&w photographs
Dimensiuni: 159 x 232 x 33 mm
Greutate: 0.76 kg
Editura: MD – Duke University Press
Locul publicării:United States
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Notă biografică
Recenzii
"Soundtrack Available engages with most of the important questions of film music scholarship in novel, interesting ways that advance the state of the field notably." - Will Straw, McGill University
Cuprins
List of Illustrations
Acknowledgments
Overture / Arthur Knight and Pamela Robertson Wojcik
I. Popular vs. “Serious”
Cinema and Popular Song: The Lost Tradition / Rick Altman
Surreal Symphonies: “L’Age d’or and the Discreet Charms of Classical Music / Priscilla Barlow
“The Future’s Not Ours to See”: Song, Singer, and Labryinth in Hitchcock’s The Man Who Knew Too Much / Murray Pomerance
“You Think They Call Us Plastic Now . . . “: The Monkees and Head / Paul B. Ramaeker
II. Singing Stars
Real Men Don’t Sing Ballads: The Radio Crooner in Hollywood, 1929–1933 / Allison McCracken
Flower of the Asphalt: The Chanteuse Realiste in 1930s French Cinema / Kelley Conway
The Embodied Voice: Song Sequences and Stardom in Popular Hindi Cinema / Neepa Majumdar
III. Music as Ethnic Marker
Music as Ethnic Marker in Film: The “Jewish” Case / Andrew P. Killick
Sounding the American Heart: Cultural Politics, Country Music, and Contemporary American Film / Barbara Ching
Crossing Musical Borders: The Soundtrack for Touch of Evil / Jill Leeper
Documented/Documentary Asians: Gurinder Chadha’s I’m British But . . . and the Musical Mediation of Sonic and Visual Identities / Nabeel Zuberi
IV. African American Identities
Class Swings: Music, Race, and Social Mobility in Broken Strings / Adam Knee
Borrowing Black Masculinity: The Role of Johnny Hartman in The Bridges of Madison County / Krin Gabbard
V. Case Study: Porgy and Bess
It Ain’t Necessarily So That It Ain’t Necessarily So: African American Recordings of Porgy and Bess as Film and Cultural Criticism / Arthur Knight
“Hollywood Has Taken On a New Color”: The Yiddish Blackface of Samuel Goldwyn’s Porgy and Bess / Jonathan Gill
VI. Contemporary Compilations
Picturizing American Cinema: Hindi Film Songs and the Last Days of Genre / Corey K. Creekmur
Popular Songs and Comic Allusion in Contemporary Cinema / Jeff Smith
VII. Gender and Technology
The Girl and the Phonograph; or the Vamp and the Machine Revisited / Pamela Robertson Wojcik
Bibliography
Contributors
Index
Acknowledgments
Overture / Arthur Knight and Pamela Robertson Wojcik
I. Popular vs. “Serious”
Cinema and Popular Song: The Lost Tradition / Rick Altman
Surreal Symphonies: “L’Age d’or and the Discreet Charms of Classical Music / Priscilla Barlow
“The Future’s Not Ours to See”: Song, Singer, and Labryinth in Hitchcock’s The Man Who Knew Too Much / Murray Pomerance
“You Think They Call Us Plastic Now . . . “: The Monkees and Head / Paul B. Ramaeker
II. Singing Stars
Real Men Don’t Sing Ballads: The Radio Crooner in Hollywood, 1929–1933 / Allison McCracken
Flower of the Asphalt: The Chanteuse Realiste in 1930s French Cinema / Kelley Conway
The Embodied Voice: Song Sequences and Stardom in Popular Hindi Cinema / Neepa Majumdar
III. Music as Ethnic Marker
Music as Ethnic Marker in Film: The “Jewish” Case / Andrew P. Killick
Sounding the American Heart: Cultural Politics, Country Music, and Contemporary American Film / Barbara Ching
Crossing Musical Borders: The Soundtrack for Touch of Evil / Jill Leeper
Documented/Documentary Asians: Gurinder Chadha’s I’m British But . . . and the Musical Mediation of Sonic and Visual Identities / Nabeel Zuberi
IV. African American Identities
Class Swings: Music, Race, and Social Mobility in Broken Strings / Adam Knee
Borrowing Black Masculinity: The Role of Johnny Hartman in The Bridges of Madison County / Krin Gabbard
V. Case Study: Porgy and Bess
It Ain’t Necessarily So That It Ain’t Necessarily So: African American Recordings of Porgy and Bess as Film and Cultural Criticism / Arthur Knight
“Hollywood Has Taken On a New Color”: The Yiddish Blackface of Samuel Goldwyn’s Porgy and Bess / Jonathan Gill
VI. Contemporary Compilations
Picturizing American Cinema: Hindi Film Songs and the Last Days of Genre / Corey K. Creekmur
Popular Songs and Comic Allusion in Contemporary Cinema / Jeff Smith
VII. Gender and Technology
The Girl and the Phonograph; or the Vamp and the Machine Revisited / Pamela Robertson Wojcik
Bibliography
Contributors
Index
Textul de pe ultima copertă
"From Bollywood to Hollywood, Wim Wenders to Wong Kar-Wai, popular music permeates movies. Rigorous scholarship has finally begun to catch up with this phenomenon to make sense of its rich and varied cultural meanings. Wocjik's and Knight's first-rate collection is muscular, theoretically informed, historically textured, and full of exciting discoveries for all interested in the confluence of pop music, film, and identity."--Claudia Gorbman, University of Washington