Cantitate/Preț
Produs

Stop Making Sense: Music from the Perspective of the Real: The Psychoanalysis and Popular Culture Series

Autor Scott Wilson
en Limba Engleză Paperback – 13 apr 2015
This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.
Citește tot Restrânge

Din seria The Psychoanalysis and Popular Culture Series

Preț: 33027 lei

Preț vechi: 34764 lei
-5% Nou

Puncte Express: 495

Preț estimativ în valută:
6320 6559$ 5283£

Carte tipărită la comandă

Livrare economică 17-31 martie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781782201984
ISBN-10: 178220198X
Pagini: 272
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria The Psychoanalysis and Popular Culture Series

Locul publicării:Oxford, United Kingdom

Public țintă

Professional Practice & Development

Cuprins

Series Editors’ Preface -- Preface --   -- Introduction: Fear of music -- Amusia -- Music and the love of the master -- The Marriage of Figaro and Freudian melophobia -- Dance and “condansation”: Che Guevara’s a-rhythmia -- Groundhog Day: the earworm and the love song -- From symptom to synthomy -- The audio unconscious -- Hank Williams’s cough -- From Speaking Beings to Talking Heads -- The Madness of Economic Realism -- Primal scream: dissonance and repetition -- Capitalism and psychosis I: the Nash equilibrium -- Michel Foucault and the beauty of the absolute -- Bach’s Little Fugue -- Decomposing the voice -- American Psycho and Phil Collins -- The Ride of the Valkyries -- Screamadelica -- Flower of hate: the lack in The Beatles -- The murder of John Lennon -- Echo -- Unlistenable -- The braindance of the hikikomori -- The three delusions -- Coda: The hum

Descriere

This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.