Studies in Medievalism XXVII – Authenticity, Medievalism, Music: Studies in Medievalism

Karl Fugelso

Introduction: Medievalism as Colony and Conqueror: Reflections after MAMO - David Matthews Genealogies of the Early Gothic: Forging Authenticity - Nickolas Haydock The Rituals of St. Agnes and the Lure of Authenticity - Clare A Simmons Mediating Medieval(ized) Emotions in Game of Thrones - Carolyne Larrington A Princess of Color amid Whitewashed Medievalisms in Disney's Sofia the First and Elena of Avalor - Elan Justice (E J) Pavlinich The Medievalizing Process: Religious Medievalism and Constructs of Historical Authenticity - Timothy Curran The Breaking Point: Alain de Benoist's Critique of Medieval Nominalism - Daniel Wollenberg "This Most Historic of Locations": Performing Authentic Nationhood at Hastings and Morgarten - Matthias Berger Kingdoms of Infinite Space: Three Responses to the Kingis Quair - Lotte Reinbold Vincent van Gogh, Dante, and the Studio of the South - Aida Audeh Surrealist Medievalism: A Case Study - Tessel Bauduin Introduction to Part III Beyond (the) Halo: Chant in Video Games - Karen Cook A Plague of Medievalism upon You All: Medievalism, Music, and the Plague - Adam Whittaker The Past is a Different Planet: Sounding Medievalism in Aleksei German's Hard to Be a God - Alexander Kolassa