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Studio Seeing: A Practical Guide to Drawing, Painting, and Perception

Autor Michael Torlen
en Limba Engleză Paperback – 7 sep 2023
A study of perception and its role in drawing and painting, featuring practical exercises.  

Studio Seeing offers a close examination of perception as it is used by an artist in the studio. Michael Torlen shares here the successful process he has developed over decades of teaching and studio practice in a straightforward way that other artists can apply to their own work. Using examples from his own experience and supporting them with a rich illustration program that includes works from historical and contemporary artists, Torlen distills clear, effective principles for painting and drawing that will help artists make great strides in their understanding and ability. Each chapter is rounded out with exercises designed to help artists immediately understand and apply its concepts.
 
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Specificații

ISBN-13: 9781789387896
ISBN-10: 1789387892
Pagini: 264
Ilustrații: 107 color plates
Dimensiuni: 170 x 240 x 30 mm
Greutate: 0.68 kg
Editura: Intellect Ltd
Colecția Intellect Ltd

Notă biografică

Michael Torlen is a visual artist and a professor emeritus of the School of Art + Design at Purchase College, State University of New York.
 

Cuprins

Acknowledgements

List of Illustrations

Preface

   Learning to See

   The Brick

  The Lineage

 

Foreword

   Julian Kreimer

Introduction

 

1. The Fear Factor

   The Bare Canvas

   Into the Void

   Course of Action

   Fear’s Tyranny

   Mistakes and Accidents

   Part-to-part

   Recap

 

2. How We See It, How We Don’t

   The 3D Cues

      Perspective

      Binocular Vision

      Light and Shadow

      Relative Motion

   Recap

   Exercises – Two or One Eyed

 

3. The Artist’s Vision

   The Monocular Cues

   Constancy

      2D Visual Cues

      Position

      Shape-Size

      Overlap

      Value Contrast

      Color Contrast

   Hierarchy and Interaction

   Recap

   Exercises – 2D Cues

 

4. More About Seeing

   Parts and Wholes

   The Gestalt Contribution

   Think Ahead

   Arnheim

   Where and What

   Figuring the Ground

   Object-Directed vs. Ground-Directed Seeing

   Past Experience, Purpose, and Action

   Recap

   Exercises – Parts and Whole

 

5. Beyond Face or Vase

   Head First

   Figure-Ground

   Not Negative and Positive

   Edge-condition

   Yes and No

   Intentions, Meanings, and Context

   Recap

   Exercises – F/G

 

6. Forces in the Field

   Inner Necessity

   Closure

   Coincidence of Edge and Continuity

   Locales

   Recap

   Exercises – Three C’s

 

7. Line

   Positioning Line

   Contour

   Gesture

   Blind-contour

   Cross-contour

   Recap

   Exercises – DYI

 

8. Value

   Positioning Value

   Reserving the Light

   Adding and Subtracting

   On Readymade

   Adding Wash and Brush

   Elegance or Clumsiness

   Recap

   Exercises – Plus and Minus

 

9. Brush, Paint, Process

   Shape Paint, Don’t Paint Shapes

   Color Studies

   5 Values

   9 Values

   Recap

   Exercises – Process Practice

 

10. Muscles and Marks

   The Body Against Itself

   Four Variables

      Pressure

      Tempo

      Duration

      Direction

   Deliberate Practice

   Recap

   Exercises – PTDD

 

11. Figuring Where

   Plumb, Level, and Square

   The Frame

   Sighting and Measuring

   2D to 2D

   Linear Perspective

   Aerial Perspective

   Sfumato

   Recap

   Exercises – Devices

 

12. Unmediated Response

   Focal Point

   Approximation

   The Great Law

   Recap

   Exercises – Focal Point

 

13. Fixing

   Jumping Parts

   Add More of It

   Build a Bridge

   Reverse the Overlap

   Adjust the Scale

   Do Something Else

   Recap

   Exercises – Ground-Directed

 

14. The End is The Beginning

   Limits of Language

   Nothing Changes if Nothing Changes

   Meaning, Metaphor, Myth

   Last Words

 

Endnotes

Bibliography

Index

About the Author