Sukumaara Natana Thathwa, began with random thoughts, observations, reactions, being noted down for me alone, and then, very soon, it took on an existence of its own, dragging me along with it, tightly chained, so that I was pulled back to the subject in spite of the numerous deviations, where I was forced to play various roles, that of a wife, a mother, a teacher, even a performer In every role I played, I felt insufficient, incomplete, except a few 'moments on stage, that stands out as the sole meaningful events that justify one's existence. It is perhaps these shining moments that has convinced me of the worth of this work. It is also the continuous, eternal search for these same moments, where life is transformed and all conflicts are momentarily resolved, when all seems well and alright in this world, that has led me on, into stage experiments with contents, as well as, stylistics of Mohiniattom, involving in-depth interpretations of characters represented on stage, attempting amalgamations of themes, combining fictions with ancient lore, also trying to bring universal relevance in thematic presentations.