tacking and a tacktical methodology: moving towards a different politics for art: Research / Art / Writing, cartea 2
Autor Louisa Bufardecien Limba Engleză Hardback – 10 oct 2024
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Specificații
ISBN-13: 9789004706941
ISBN-10: 9004706941
Pagini: 298
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Research / Art / Writing
ISBN-10: 9004706941
Pagini: 298
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Research / Art / Writing
Notă biografică
Louisa Bufardeci, Ph.D. (2022), University of Melbourne, where she teaches in the Critical and Theoretical Studies program at the Victorian College of the Arts, Faculty of Fine Arts and Music. She is also a practising artist and a string figuring enthusiast.
Cuprins
preface
acknowledgements
illustrations
note to the reader
introduction
1 The sea between A and I and the question of privilege
2 privilege, art and contemporary art
3 tacking
4 outline of the chapters
1 “what to do?”
1 “if you see yourself as part of me and I’m part of you …”
2 making declarations
3 moves to innocence
4 subject position
5 the double bind is, and as, a political field
2 relinquishing ‘contemporary art’?
1 how do issues of race sit in contemporary art at the present moment?
2 whiteness in contemporary art practice
3 doing differently as a mode of contemporary art
3 the practice of tacking
1 the seemingly impossible history of string figuring
2 string figures in contemporary art
3 the practice of tacking
4 tacking in practice
5 the conditions of tacking
4 tacking and tacktical
1 the etymological relations of tacking
2 ‘tacktical’ as a neologism
5 what tacking does
1 techniques of relation
2 tacking as a technique of relation thinking-with and making-with response-ability
3 tacking in the borderspace
4 touch
5 play
6 tacking as a methodology: a tacktical methodology
acknowledgements
illustrations
note to the reader
introduction
1 The sea between A and I and the question of privilege
2 privilege, art and contemporary art
3 tacking
4 outline of the chapters
1 “what to do?”
1 “if you see yourself as part of me and I’m part of you …”
2 making declarations
3 moves to innocence
4 subject position
5 the double bind is, and as, a political field
2 relinquishing ‘contemporary art’?
1 how do issues of race sit in contemporary art at the present moment?
2 whiteness in contemporary art practice
3 doing differently as a mode of contemporary art
3 the practice of tacking
1 the seemingly impossible history of string figuring
2 string figures in contemporary art
3 the practice of tacking
4 tacking in practice
5 the conditions of tacking
4 tacking and tacktical
1 the etymological relations of tacking
2 ‘tacktical’ as a neologism
5 what tacking does
1 techniques of relation
2 tacking as a technique of relation thinking-with and making-with response-ability
3 tacking in the borderspace
4 touch
5 play
6 tacking as a methodology: a tacktical methodology