The pandemic together with compulsory confinement and social distancing have caused significant reflections and dilemmas that question the validity of theater in this context of crisis. The present text approaches the technodramaturgy approach sustained and exemplified under the process of creation of the play TBO a 40'. Therefore, this text contains several reflections and records of scenic creation laboratories that seek, under the researcher's point of view, to establish the criteria to be taken into account when building theatrical works for virtuality. In this way, an analysis is established on the particularities of the theater and the virtual space that, under certain reconfigurations, can resignify the theater within virtuality.